52! Week Twenty-Six

By Johns, Morrison, Rucka, Waid, Giffen, Olliffe, Geraci, Pantazis, Brosseau, Richards, Schaefer, Wacker. Cover by Jones and Sinclair.

52 was a weekly series published by DC Comics starting in May, 2006. Because I had my 52nd birthday in late 2020, I thought it might be interesting (fun?) to examine this series for its 15th anniversary. I plan to post once a week about each issue. To read previous posts, click the link (52!).

Synopsis

“Halfway House”

Week 26, Day 1

The Black Marvel family transport Renee Montoya and Charlie 57 km east of Nanda Parbat, where they are greeted by Aristotle Rodor and Richard Dragon, who announces to Renee in a cryptic way that class is now in session.

Week 26, Day 2

John Henry Irons, Steel, appears on Jack Ryder’s talk show, You Are Wrong, to voice his accusations against Lex Luthor’s Everyman project. Natasha joins the interview to refute her uncle, and then gets a call about an explosion and she rushes off to help.

Week 26, Day 4

The Black Marvel family join Dr. Sivana’s ex-wife, Venus, and their children — Junior, Georgia, Beautia, and Magnificus — for dinner. Lady Sivana then requests the Black Marvels’ help in locating the missing Dr. Sivana.

At Oolong Island, Dr. Cale arrives to help the other assembled mad scientists with the Four Horsemen project.

Bored at dinner, Osiris leaves, and then the rest are seemingly attacked by a mutated crocodile, who grabs some food off the table and escapes. Later, Osiris encounters the crocodile man who tells Oriris that Dr. Sivana experimented on him, turning him into the creature he now is, and that he is so very hungry.

Thoughts

I love the old Hollywood horror movie inspired cover. It teases us with the red coming from the Black Marvel family but ending in a claw shape — is the claw symbolism? Plus, while red here denotes evil or blood or danger (at minimum), you get to see Black Adam in Captain Marvel red and yellow, which totally subverts the symbolism while reinforcing it. Deftly conceived by Jones, and, my god, Sinclair owns this image with the beautiful coloring.

The cover title, “The Beast Who Came to Dinner”, is a much more descriptive one (if perhaps too on the nose), but the writers/editors just had to be cute and call attention  to the fact that we’re now halfway through the series (where is the “halfway house” concept in this issue anyway? Perhaps Nanda Parbat for Renee?). And now that we are halfway, where are we in the story? Not that closer to resolving any of the mysteries or conflicts set up for the last 25 issues, but perhaps setting all that up was the point of the previous act? And we get even more characters thrown into the mix! Given how many creators are on this book and all of the characters and plots, this series should have been a disaster. Thank goodness it wasn’t, but I’m now thinking they put form over function a bit, sort of how a television series will often have some “filler” shows to meet that 22-24 episode requirement, i.e., some of these plots are a bit thin and they just keep stretching them out (I’m looking squarely at you Irons family drama) to fill 52 weekly issues.

Specifically regarding this issue, I do like the little flourish that Olliffe adds in the first scene with flowers springing up on the ground where Isis stepped.

The whole scene with the Sivana children was a nice comedic distraction. It also sets up a future, potential plot-point with Waverider appearing briefly on a monitor, saying, “I know why.” And there’s something about the fact that Venus Sivana’s $20M donation to Kahndaq’s children’s hospital makes Black Adam accept her dinner invitation — he’s become quite the politician in such a short time.

Finally, a minor quibble. Ii the Oolong Island scene, some dialog is mixed up in the last panel where it appears that Dr. T. O. Morrow addresses Dr. Magnus as “Morrow”, or perhaps he’s just entered that phase of megalomania where you refer to yourself in the third person.

The Origin of Hawkman and Hawkgirl

by Waid, Bennett, Jose, Sinclair, Brosseau, Richards, Wacker

This describes accurately the state of affairs of Hawkman and Hawkgirl at the time of publication, leaving out the creepy way that Carter hit on Kendra. That was the only misstep of the Hawkman reboot started in the JSA series and continued in the Hawkman (2002) title.

52! Week Twenty-Five

By Johns, Morrison, Rucka, Waid, Giffen, Bennet, Eaglesham, Jimenez, Olliffe, Jose, Thibert, Lanning, Geraci, Sinclair, Richards, Schaefer, Wacker. Cover by Jones and Sinclair.

52 was a weekly series published by DC Comics starting in May, 2006. Because I had my 52nd birthday in late 2020, I thought it might be interesting (fun?) to examine this series for its 15th anniversary. I plan to post once a week about each issue. To read previous posts, click the link (52!).

Synopsis

“Liminal Times”

Week 25, Day 1

Bruno Manheim explains his vision of Crime to Mirage, with bloody results. Later, he addresses other Gotham crime bosses, telling them that they work for him and Intergang or “we make you extinct”.

Week 25, Day 3

On Halloween, Captain Marvel, Jr. and Mary Marvel battle a giant-sized, Satanesque Sabbac when the Black Marvel Family arrive to defeat the villain, winning over the hearts of the assembled trick-or-treaters.

Ralph Dibny continues his tour of Hell with the Helmet of Fate. The Hemet shows Ralph the trapped and ravaged soul of Felix Faust as a lesson and a warning: “Our next stop … you will make your first bargain. Be prepared to honor it.”

Week 25, Day 3

Infinity, Inc. stop Icicle and Tigress from robbing a bank and debut their newest member, Matrix. Alan Scott watches this and then speaks to Michael Holt, telling him that the UN Security Council asked Alan to be the White King. He then asks Michael to join him as his Bishop.

Week 25, Day 4

Dr. Magnus tells Dr. Morrow that he refuses to build a plutonium robot for Intergang. Meanwhile, Bruno Mannheim arrives on Oolong Island to discuss with Chang Tzu a solution to the Kahndaq problem. Tzu tells Mannheim they have weapons “so terrible … we call them the Four Horsemen”.

Thoughts

“Liminal” means transitional, so having a bunch of storylines present in this issue seems to fit the title. It’s also curious how many artists we get, which is a first for the series. Was there some kind of transition or shift going on behind the scenes? Or was it that the weekly grind has finally caught up with the creative team? Perhaps the theme of “transition” would have been better for the 26th issue? Regardless, this issue does give me the sense that things are starting to move forward (or at least moving) for some of these plots.

This issue has another wonderful cover for the series showing three trick-or-treaters representing four of the thus far prominent storylines with Steel, Booster Gold, and Renee Montoya dressed as the Question (a melding of her and Charlie or foreshadowing?). The fourth representative is the Helmet of Fate being used as candy receptacle. Does this represent some as yet unknown connection between Booster Gold and the Helmet?!

I had forgotten that Bruno Mannheim was positioned as an apostle of crime — I tend to think of him as the Intergang representative only — but here DC is clearly giving him a bigger role (more a Kingpin-like character with supernatural connections).

The transitional theme continues with the adoration of the Black Marvel Family by the kids — Captain Marvel, Jr and Mary Marvel are almost an afterthought in this scene. Not having read the Power of Shazam, this was probably the first time I saw Mary Marvel in her white costume, which I love. You get the whole red, white, and blue motif with the three Marvels, and white is such an underused color in superhero comics that it makes her stand out (as she should).

While I loved the Jimenez art in the Felix Faust pages, I thought that sequence went on too long, but we do get that amazing sequence of panels showing Faust’s soul crumbling and blowing away in the breeze as Fate’s Helmet warns Ralph about the bargain he will soon strike. This is the amazing storytelling aspect of comic books that I love.

I recall when Alan Scott took over Checkmate and had wanted to read that series, but never bought the issues. Reading this introduction makes me want to read them again to understand why he would want to take on this role (his explanation to Michael notwithstanding) and how things developed.

Finally, we get to see the “master” of Oolong Island and it is the wonderfully redesigned Chang Tzu (formerly the offensive Egg-Fu), but even this cybernetically supported, nightmare inducing “egg” is subservient to Intergang. I’m looking forward to where this leads (besides the 52 Aftermath mini-series tie-in).

The Origin of Nightwing

by Waid, Perez, Sinclair, Balsman, Richards, Wacker

I’m sure I did then and I certainly do now love to see George Perez drawing my favorite (former) Robin again, complete with his trademark detailed backgounds.

It also just now occurs to me reading this origin that given Dick’s circus upbringing, he must hate that the Joker is a perverted clown (the “clown prince of crime”) compared to the people — his companions and friends — who performed as clowns in his youth. I wonder if anyone ever played with that idea over the years?

I love how Waid referred to Robin as the “laughing young daredevil”. Aside from the bad puns and a propensity to get himself captured and subsequently rescued by Batman all the time, I don’t know that this aspect of Dick’s personality was ever fully explored either.

This origin also mentions the post-Infinite Crisis revelation that Dick wasn’t supposed to have survived it. I read Nightwing during this time and don’t recall that DC ever adequately addressed this plot point.

Finally, I love this bit:

[Nightwing’s] ability to read people makes him not only an amazing detective but a team leader without equal, a trait not even his former mentor shares.

Nightwing rules!

52! Week Twenty-Four

By Johns, Morrison, Rucka, Waid, Giffen, Jimenez, Lanning, Baron, Brosseau, Richards, Schaefer, Wacker. Cover by Jones and Sinclair.

52 was a weekly series published by DC Comics starting in May, 2006. Because I had my 52nd birthday in late 2020, I thought it might be interesting (fun?) to examine this series for its 15th anniversary. I plan to post once a week about each issue. To read previous posts, click the link (52!).

Synopsis

“Just Imagine”

Week 24, Day 1

While talking to reporters about his Star City mayoral campaign, Oliver Queen receives a call on his JLA communicator from Firestorm, who asks him to join the new Justice League. Queen turns down the offer and tells Firestorm not to call anyone else.

Week 24, Day 2

At the original Justice League of America’s HQ in Rhode Island, J’onn J’onzz, the Martian Manhunter, talks to himself, addressing his former JLA member, Booster Gold, saying how he has helped eliminate Checkmate in retaliation for its role in Blue Beetle’s murder.

Week 24, Day 3

Black Adam and Isis speak to the Great Ten, announcing an alteration to the Freedom of Power Treaty, which no longer includes executing metahuman criminals. Oriris, however, is bored and wants “to do something fun”. Black Adam tells August General that the Black Marvel Family is available to help if the Great Ten and China need it.

Week 24, Day 6

While the new Justice League is talking to reporters, they are attacked by pirates and cyborgs emerging from a rift. Suddenly, many of the bystanders transform into their Everyman personas to help. Skeets also appears and tells Firestorm it is responsible for the pirates and cyborgs to draw out an enemy. Skeets then attacks Firestorm and the assembled Everymen and Justice Leaguers, including Super-Chief, who is transported to a land of the dead. The original Super-Chief, Flying Stag, retrieves the Manitou Stone and tells Ralph Dibny that “Magic never comes without a price”.

Week 24, Day 7

J’onn J’onzz, in his guise as an advisor to the President, is present when the President is told that Checkmate has been recertified as a U.N. agency, negating J’onn’s efforts.

In Belle Reve, Amanda Waller has Atom Smasher picking members for a new Suicide Squad mission.

Thoughts

Phil Jimenez’ and Andy Lanning’s art is a welcome change to this series, especially because of all the group shots and different and varied body types/faces (Perez clone that Jimenez is — and I love him for it!).

Both Martian Manhunter and Ollie Queen are after justice this issue: J’onn refers to justice being served for Blue Beetle’s murder, while Ollie’s campaign slogan is “Justice … For All!”. Also, Ollie’s campaign manager is named Maggin, presumably after Elliot S! Maggin, a long-time DC Comics writer (who also wrote stories about Green Arrow).

The new Justice League has an intriguing membership: Firehawk (a character whose design I’ve always liked, even if Jones gives her a new costume on the cover), Firestorm, Bulleteer, Super-Chief, and Ambush Bug. How did this group get together? It makes sense that Firehawk and Firestorm team up, but Super-Chief (who just took on the mantle and has now joined the team)? Ambush Bug?! Speaking of Ambush Bug, we get an issue filled with his fourth-wall breaking and pop culture referential dialog. His shirt on the cover reads “This Shirt’s a Clue” and his first words are the title of the issue, with the background of the word balloon filled with “Week 24”. :) Other references include:

  • He yells into the phone, “The weekly grind is tearin’ me apart! Fifty-two!” Is this commentary from Giffen and company?
  • His Bugs Bunny (or other Warner Bros cartoon character) like dialog:
    • “…so I says to Schwartz, I says…”
    • “Doink!” as he stabs two pirates in their eyes.
    • “Mommy”, just after Super-Chief is zapped away and Bug stands triumphantly over a defeated pirate.
  • “Didn’t mean to interrupt your exposition-filled conversation…”

It’s kind of creepy the way J’onn infiltrates the U.S. government, despite his noble purpose. Also, how he has created statues of all the fallen JLAers in the cave. It seems like he’s gone off some deep end — out of guilt about Blue Beetle?

Osiris has quickly become annoying. How can you take a new character with such potential and immediately make him unlikable? The short answer being, of course, you’re not supposed to like him. I recall what happens to him in the end, but not the journey. Speaking of newly debuted characters, why introduce Jon Standing Bear in the previous issue just to kill him off here?! Wasteful! Not so wasteful are the Dial H like characters (Luthor’s Everymen) with great or not so great names like:

  • Dynamole
  • The Crimson Ghost
  • Jack of All Trades (who looks somewhat like Spider-Man)
  • The Tornado Ninja (an homage to Samurai from the Super Friends cartoon?)
  • E.S. Pete (sounds like something from the Silver Age Legion of Super-Heroes)
  • Poledancer (yikes!)
  • et al

I’ve long suspected Skeets of being up to something, but here, he’s using his time hopping abilities to draw out some, as yet unnamed, enemy, and it doesn’t care who gets in the way. In fact, its now on the offensive with weapons and attacking the heroes.

Other bits:

  • A Jack Ryder advertisement can be seen on the trolley outside Ollie’s campaign office. It reads “You Are Wrong!”
  • Ambush Bug is eating from a bag of chips that features a squirrel. The logo cleverly reads “Ch’ps”, so this has to be an homage to Green Lantern Ch’p.
  • Wherever the new JL is when Firestorm calls Ollie, there is a poster on the wall of Starfire in a bikini (thank you again, Mr. Jimenez). I wonder if this is from one of the photoshoots she did in New Teen Titans?
  • In the J’onn J’onzz monologue, there is a reference to Secretary of State Kakalios. It was an unusual name, so I looked it up and discovered that James Kakalios is the author of The Physics of Superheroes, which was published the year before 52. That has to be a tip of the hat to the author, right?
  • A pirate closely resembling Johnny Depp’s Jack Sparrow is seen in a newspaper near the end of the issue.
  • The ambassador talking to the President is named Trautmann, after artist/designer Eric Trautmann?
  • Every issue ends with some preview images from the next issue. Here, Ambush Bug is playing the roles of the Question, Isis, and Batwoman. You gotta love a running gag.

The Origin of Booster Gold

by Waid, Jurgens, Lanning, Sinclair, Brosseau, Richards, Wacker

I feel like we have already visited Booster Gold’s origin in this series (in story), but this  time, the origin entry has an additional tag: “An excerpt from the Justice League archives”.  My problem with this is the meta-editorial commentary (such as the “gratuity not included” notation) in this entry, so which Justice Leaguer has supposedly written this “excerpt” (though Batman does have a dry sense of humor…)?

52! Week Twenty-Three

By Johns, Morrison, Rucka, Waid, Giffen, Johnson, Snyder, Baron, Lanham, Richards, Schaefer, Wacker. Cover by Jones and Sinclair.

52 was a weekly series published by DC Comics starting in May, 2006. Because I had my 52nd birthday in late 2020, I thought it might be interesting (fun?) to examine this series for its 15th anniversary. I plan to post once a week about each issue. To read previous posts, click the link (52!).

Synopsis

“The Island of Professor Morrow”

Week 23, Day 1

Dr. Magnus arrives on Oolong Island and is greeted by Professor T.O. Morrow. Morrow tells Magnus that various mad scientists (including Bug Baron, Dr. Sivana, Dr. Rigoro Mortis, and Ira Quimby) have been assembled by their benefactors to “let their imaginations run wild” and that they want Magnus to “join us in creating the future”. He also tells Magnus that “no … you really don’t have a choice”.

Week 23, Day 5

In Yemen,  Whisper A’Daire’s addresses her Cult of Cain while the Question and Renee Montoya watch for an opportunity to steal the Crime Bible. Isis’ brother, Amon, is brought forth and brutally beaten for trying to escape earlier. Renee wants to intervene, but Question convinces her to wait. Just then, they are discovered and fight the cultists, resulting in Renee being injured. Black Adam and Isis arrive and subdue the cultists. Isis heals Renee’s wound and then discovers her injured brother. His wounds are too extensive for her to heal, so Black Adam tells Amon to say his name. When Amon does, lightning flashes, transforming Amon into Osiris.

Week 23, Day 6

Isis reminds Black Adam of her promise to help him change the world once they found her brother, and now that they have, she announces that the Black Adam family is going to China.

Thoughts

I love the idea of all these DCU mad scientists being collected and allowed to let loose with their creations, but who are the mysterious benefactors and what is their goal? Of course, these scientists being man-children, the island is also populated by beautiful women in bikinis — are they also prisoners? What other functions do they perform besides as eye-candy for, at least in the scene we are shown, the somewhat oblivious old, white guys? I really dislike this male-gazing (or worse).

So, at what point does Montoya just shoot the Question for his role in continuing to allow children to suffer? He told her to shoot the bomber in a previous issue, and now he wants her not to save Amon. Fortunately, plot-wise, they are discovered just after their conversation, allowing Renee to help save the boy regardless. I dislike these filler panels because the things the Question wants to happen (not to save Amon and to avoid detection) are immediately rendered pointless.

Black Adam tells Isis after he gave Amon access to his super-powers that he has always been able to share some of his power (as Captain Marvel did with Freddy Freeman), but that he never had family to which he could share his gifts. It’s a touching scene, but it made me wonder: does the sharing make the Shazam family members less powerful? If so, how many people could Captain Marvel or Black Adam share their power with before it impacts their own abilities? Regardless, I loved the idea of the Black Adam family and was disappointed in how this storyline ended up.

The Origin of Wildcat

by Waid, Ordway, Sinclair, Leigh, Richards, Wacker

Who cares? (I hate this character.)

RandoMonday: Brightest Day #0

Here’s a cover image chosen at random from my collection.

Brightest Day #0 by Geoff Johns & Peter J. Tomasi (w), Fernando Pasarin (p), Fernando Pasarin, John Dell, Cam Smith, Prentis Rollins, Dexter Vines, & Art Thibert (i), Peter Steigerwald with Beth Sotelo (c), Nick J. Napolitano (l), David Finch, Scott Williams, & Peter Steigerwald (cover)

Coming out of the hugely successful Blackest Night, this 25-issue series (24 + this zero issue) was, to me, full of possibility. Many people returned from the dead during Blackest Night, and this series followed those characters. Getting some spotlight this issue was Deadman as the narrative linchpin, Aquaman, Captain Boomerang, Hawkman and Hawkwoman, Maxwell Lord, J’onn J’onzz, Jade, Firestorm, Osiris, and Hawk and Dove. What did the white lantern entity want, how was Deadman supposed to help, and why did these people return from the dead? Unfortunately, I don’t think there was an adequate resolution to the promising setup. Nor was there enough time to see the long-term ramifications of the events coming out of Brightest Day because the New 52 happened shortly after Brightest Day ended. A pity.

Despite so many names in the credits box, the art in this issue is quite good and consistent.