Pull List Review: 11/2/11 Comics

Action Comics #3: Wow, the Gene Ha Krypton art in this issue is just fantastic and the color work for the same sequence is pretty darned nice, too. So, Clark is dreaming this sequence–just how good of a memory do Kryptonians have, or is it just Superman’s memory that’s so good? I’m glad to see a more Silver Ageish Krypton back in continuity. For all the love that I have for Byrne’s Superman post-Crisis, his take on Krypton wasn’t something I cared for all that much. I liked the Atom tech reference when Brainiac (I presume) announces “commence dwarf star lensing”. I didn’t care for the fact that Jor-El appears to have Krypto (?) by his side, but I did like that a homeless woman tells Clark that he has a white dog “ghost” watching over him and what that could mean exactly (hmm… ;)). In fact Morrison throws out these little bits of story and then leaves you dangling, wanting more, such as when Clark’s landlady finds Superman’s cape in Clark’s duffel bag and asks him about his being from outer space, but we don’t get to see what happens next! I’m starting to really not like the anti-alien sentiment in this new DCU. We see it here, in Superman, Supergirl, Voodoo, et al. It makes sense, sure, but I just don’t like it. Finally, that one panel of Clark on the floor, clutching a picture of the Kents, apologizing for failing in his mission while his tunic is in the trash–this would be tugging on heart strings material if it weren’t such a quick cut to and from the moment. I could go on and on about this series….

Hawk & Dove #3: When is supporting a book based solely on your love of a character too much? Because this comic is not good, yet I won’t stop buying it because I love Dove so much. (If I were in the DCU I would totally stalk Dove. And Donna Troy. And Steph Brown.) And that bit where she stabs Condor? Seems totally out of character for her, unless she knew something going in to that action that hasn’t been revealed to us. In fact, that is the one thing about Dove that I am really missing: she was previously depicted as a think first superhero, but she’s taking a back seat to Hawk’s aggressiveness in this title so far. If I were a paranoid stalker, er fan, I’d think that Sterling Gates has an issue with my white-haired beauty. :)

JLI #3: How appropriate that Andre Briggs states that the “‘JLI’ will stand for Justice League Inconsequential”, and that’s how I’m feeling about this title right now. It feels like DC was trying to recapture lightning and it just isn’t happening. It’s not a bad superhero comic, but it’s just not good enough.

Mystic #4: Ahh, the conclusion. Just like the other two CrossGen limited series I got, this one just kind of fizzles instead of zapping me. I never bought that Genevieve was the resistance leader that she’s depicted as, and the High Priest’s rejection of Giselle last issue was forced. I wanted to know more about this world and how the two friends fit in it, but I mostly got a teen drama set in a fantasy world. I still love the Lopez/Lopez/Fairbairn art, though.

Red Lanterns #3: Hmm, I see that Bleez is written very differently in this title now than she is in Green Lantern: New Guardians; so, is her appearance in GL: NG supposed to take place before the events of this issue? I hate to sound negative about this title every time, but right now, Ed Benes’s cheesecake art is the only thing keeping me on this title. Ok, that and the hope that Peter Milligan will pull a blood soaked rabbit out his hat and wow my socks off.

Stormwatch #3: I feel like I’m being taken on a wild ride with this book, but it’s not quite gelling for me. I like a lot of parts, but the whole thing isn’t working yet. But since I’m enjoying the hell out of Demon Knights, and the Lex Luthor story in Action Comics was so good, I’m giving Paul Cornell the benefit on this title for now. I do hope though that Adam gets booted from the series–he annoys the hell out of me (which is why I won’t get my wish…). And I know this totally fanboyish of me, but I want to see Superman and Batman throw down with Apollo and Midnighter as written independently by Geoff Johns and Paul Cornell.

I also read:

  • Animal Man #3: I’m starting to think that Travis Foreman only wants to draw grotesque creatures–the art is really starting to turn me off.
  • Detective Comics #3: I just heard someone say that this was the Batman book to get–I don’t see it; the art is nice enough though.
  • Swamp Thing #3: Still good, I just wish the plot would move a little faster, and by that I mean for Holland to take up the mantle of the Swamp Thing, you know, since that is the title and all.

Pull List Review: 10/5/11 Comics

Action Comics #2: The goodness of issue one continues. There’s a lot of little things that really make this comic:

  • Luthor referring to Superman as “it”, and reminding everyone else to do so.
  • That people refer to Luthor as “Doctor”. Of course he’s a doctor–he probably has several doctorates.
  • John Henry Irons makes his first appearance in this new continuity as well as John Corben.
  • We find out that Superman emits radiation from his eyes, putting to rest that question for this version of Superman. For the record, I don’t like that. Him being able to see into the other areas of the EM spectrum that we can’t? Sure. But actually emitting radiation? Blech.
  • I love love love Superman’s attitude during this whole torture bit and his escape. He could be extremely angry and vindictive, but he isn’t. He’s even amused at the absurdity of what they’re trying to do to him. I love this brashness, this playfulness, of the character. I wish we’d get that in the Superman book.

Detective Comics #2: Bruce is quite the horn dog. Between all the other Batman comics, I think he’s got a woman in each title! Recall that I was sticking around to find out why the Joker allowed his face to be removed? I just don’t care anymore. This comic doesn’t have that spark for me, thus reinforcing that I just don’t think Tony Daniel is that good of a storyteller.

Hawk & Dove #2: So it always bugs me when a new character is created just to have him/her killed off and move the plot forward, as Osprey is. Regardless, who was Osprey, what were his abilities (do they have anything to do with his name, Oliver Truly?), and what connection did he have with Hawk & Dove? Did they know about this guy who had a similar costume and name theme? See? It’s sad that I’m focusing on a character that appears for only three pages in this title. Most of the issue is pretty forgettable, but Ren shows up, and I’m glad to see her. She was one of my favorite supporting cast members from the 89-91 version of Hawk & Dove.

JLI #2: This issue of JLI doesn’t do much to convince me to continue with the title, I’m afraid. What I do like is that Booster is not being portrayed as the self-centered, fame-seeking putz that he often was while in the previous version of the JLI. He puts his team’s safety first while catching flack for it, and I respect that, even though Batman tells him not to let a retreat happen again. I like this book for some of the character interactions, but it’s not enough to keep me around for long.

Stormwatch #2: Wow, that Adam guy is really frigging annoying, huh (and seemingly inconsistent in his characterization, perhaps)? Also, I generally like Paul Cornell’s humor, but lines like “Any chance of a pint? Whatever one of those is.” is just a little too cheeky. However, he does write Martian Manhunter well. And I knew that Midnighter’s nerve pinch couldn’t take J’onn out! :) I also liked the bit where the Projectionist sets up a hapless villain as the cause of the moon’s transformation, causing the Justice League (International) to go after him. The rest of the issue is split between the big eyeball creature’s conversation with Harry and the conversation Adam is having with Apollo and Midnighter. I’m not as excited about this title as when I read issue 1. It’s better than JLI, but not as good as Demon Knights, say.

Swamp Thing #2: This comic, however, continues to be a joy to read and look at. Yanick Paquette’s page layouts remind me of J.H. Williams III art in Batwoman, but still unique enough. I do believe I have now become a Scott Snyder convert. This story and Snyder’s characterization of Alec Holland just intrigues me. This was one of the new 52 titles that pleasantly and hugely surprised me, especially considering that I almost didn’t pick it up at all.

I also read Animal Man #2 (Hmm, I’m just not sure if I like this comic or not. It’s just . . . there for me right now.), Mystic #3 (nothing wrong with it, it’s just a plot momentum issue to get us to the final issue), and Red Lanterns #2 (this title won’t stay long on my pull list, I think–it’s just not interesting).

Pull List Review (First Half of September 2011)

Because Travis & I reviewed the first two weeks of DC’s new 52 comics in episode 10 & 11 of the LBR podcast, I’ll toss the first two weeks of non-DC comics into the review here. To find out what I thought of the first 26 DCnU comics*, have a listen.

Episode 10: DCnU, week 1

Episode 11: DCnU, week 2


Now on with the rest of the comics I read from the first two weeks of September.

Mystic #2: Sigh. While I was impressed with issue one, issue two’s plot devolves into familiar territory: odd girl fitting in (or not really) where she’s not wanted, and odd girl’s best friend works with others against her for a perceived betrayal. Then there’s the problem with the magic MacGuffin: I’m not sure if that’s yet interesting or just overly trodden ground–we’ll see. I still like the alternate reality aspects as well as the art. At times it reminds me of tv animation stills, but I find it very clean and accessible.

New Avengers Annual #1: I do believe I’m starting to get tired of Brian Michael Bendis. I have not been liking the Fear Itself tie-in stuff on this title in general, and in particular, I do not care for this turn in Wonder Man’s character. Not that it’s a bad move necessarily, but I guess it just wasn’t handled with any panache, i.e., it’s your typical former ally turns on you story. I did like in one way the five double-page spreads at the beginning wherein Wonder Man outlines the top five worst things that has happened in the Marvel U because of the Avengers (I assume he means recently). How I did not like the double-page spreads is that I have been reading a lot of comics lately that take use splash pages or two-page spreads (mostly DC books). I think it’s an overused technique that the artist uses to have to draw fewer panels, i.e., we get “less” art, in a way. The rest of the issue is essentially a fight scene and the issue ends with a To Be Continued in Avengers Annual #1, which I will not be getting.

Alpha Flight #4: Ok, 1) this comic needs more Northstar in it and 2) oh my god, what the hell, Vindicator? While she seemed to be motivated in her actions because she wanted her children back and safe, Heather has now just turned into the classic, murdering villain, and what’s the fun in that? This is turning out to be what I was afraid of: you can’t go home again, eh.

Buffy, S9 #1: I’ve said this a few times, wait. Let me start by saying I love Joss Whedon. I think he’s a visionary and a genius, BUT he shouldn’t write comics. Come up with the ideas for them, sure, provide insight and plot points, yes. But write the scripts? I don’t think so. This first issue was ok, and I can see why Buffy is acting the way she is considering the events of last season, but the chronology of this story could have been tighter and better drafted, and I lay at least part of the blame here at artist Georges Jeanty’s hands. I was really hoping Joss and Dark Horse would go with a different artist in Season 9, but here we are. And wtf is up with that ending? Joss is known for pulling the rug out from under you, but that last page was just dumb. It’s a very lovely Jo Chen cover (and maybe the only one?), don’t you think?

Criminal: Last of the Innocent #4: Overall, I enjoyed this tale of lost (and found) love, infidelity, betrayal, and murder. This issue wraps everything up, along with some revelations (including one that came out of left field, so I didn’t care for that). It’s so weird about these kind of stories. In the hands of a good storyteller, you can come away sympathizing with a murderer, and that’s exactly what happens in this comic. So, when you get to the end, and Riley has achieved his goals (killed his unfaithful, bitchy wife, ruined his asshole father-in-law financially, covered his murderous tracks by killing his old, junky friend who figured out what he’d done, and got the girl), that last page of art that transforms the happy couple from the “now” style to the “Life with Riley”, “Archie” style, I was very satisfied with the story since Riley got his happy ending. Side-note: in one panel on that last page, where Riley and Lizzie are walking down the street arm in arm, I was reminded very much of a panel in the Miller/Mazzuchelli Daredevil “Born Again” arc. It’s probably just coincidence, but the possible homage sure lept to the front of my brain when I saw it. I’m looking forward to Brubaker’s and Phillips’s next project, Fatale.

Daredevil #3: Speaking of Daredevil, here’s another great issue from Waid, and the Riveras. I love the look of this book, and Waid is writing some good stuff here. That whole bit with Daredevil and Klaw was masterfully done. Every sound effect is used not just to convey “sound” to us, but to represent how it is sounds to Matt. I even like the legal stuff, which usually bores me in Daredevil comics of the past. Matt and Foggy are being very creative in how they deal with Matt’s courthouse ostracism, though, how will they pay their bills? I was trepidatious about this book when it was announced, but I am fully on board now.

Fear Itself #6: It’s rare that I actually exclaim out loud when reading a comic. After all, I’ve been reading comics steadily for over 30 years–what can possibly surprise me? But every once in a while, I get a little tidbit that does, and in this issue, I got Captain America ordering Odin, king of the Norse gods, around. When Odin protests and starts blustering about who he is, Cap cuts him off. Insert exclamation. :) There’s a nice little scene between Spider-Man and Aunt May (though, I’m not sure by the way this scene was shown: does Aunt May know that Peter is Spider-Man now?), and the rest is just moving the plot along to the big fight at the end of the series, next issue.

New Avengers #16: So, between this title and the few Avengers issues I bought recently (grumble, grumble**), I’m a little tired of the talking head, “interview” panels. Bendis has long been criticized for his talking head scenes in his books, but I haven’t minded them until now. And part of the irritation I’m feeling is that I’m not sure who everyone is talking to (look at the scene with Luke Cage talking about DD), so Bendis using that device to push the plot forward is either amateurish (lazy?) or hasn’t yet been revealed (I hope it’s the latter). Other than that, I enjoyed the spotlight on Daredevil in an Avengers book, plus DD gets the call to join the New Avengers. If that isn’t yet another good reason for me to read this book, I don’t what is.

Spider-Island: Amazing Spider-Girl #2: I really hate it when a story feels padded, and this issue does because it takes the whole issue for the lead character to come to the realization that she would have to team up with the Kingpin when I knew that she would from last issue. Normally, I don’t mind character progression over time, but we only have three issues here, so either issue 2 is wasting the story, or the story isn’t really here to begin with. However, I like Paul Tobin’s portrayal of Anya and that makes up for a lot. Pepe Larraz’s art is a little too heavy handed on the inks, but Andres Mossa’s colors help make up for it by giving a real depth to the art.

Unwritten #28-29: I finally got issue #28 from my comic book shop, but it’s been worth the wait. I got caught up in the mostly flashback tale of Tom’s father and his relationship with a woman comic book artist. This is Mike Carey at his best, when he writes about characters that take over in my head as I read them and they become more than just pencil and ink in front of me. And I’ve just bought into the Cabal’s world view! :D Of course this tale of a comic book creator within a comic book about stories is just about metatextual overload, but it’s so much fun! The covers are great homages to 1930s superhero and pulp magazines, even down to the “wrinkles” and “skuffs” on the “covers”. Great stuff.

* These are the titles we reviewed:

  • Action Comics #1
  • Animal Man #1
  • Batgirl #1
  • Batwing #1
  • Detective Comics #1
  • Green Arrow #1
  • Hawk & Dove #1
  • Justice League International #1
  • OMAC #1
  • Static Shock #1
  • Stormwatch #1
  • Swamp Thing #1
  • Batman & Robin #1
  • Batwoman #1
  • Demon Knights #1
  • Frankenstein, Agent of S.H.A.D.E. #1
  • Green Lantern #1
  • Grifter #1
  • Legion Lost #1
  • Mister Terrific #1
  • Red Lanterns #1
  • Resurrection Man #1
  • Suicide Squad #1
  • Superboy #1

** I bought Avengers 16 & 17 because they were both solicited as having a story featuring Spider-Woman, and neither issue had anything of the sort. It royally pissed me off.

Pull List Review (8/3/11 Comics)

Adventure Comics #529: Eh, it ended. I’m not sure why I’m sticking with this latest incarnation of the Legion. Actually, I do know why: 1) I love the characters; 2) Paul Levitz is writing them, only, I’m not caring for what he’s writing this time around. I keep hoping that things will be more like I felt about his 80s run on the title, but I don’t think it will be. I’ll read a few issues of the relaunch, but since the word is that the Legion is largely untouched in the DCnU, I don’t have high hopes that I’ll continue with any Legion title.

Flashpoint #4: A lot of focus is given to the S!H!A!Z!A!M! family kids, but it’s only a few tidbits in this issue that make this worth reading. Flash pleads with Thomas Wayne to stop what looks to be the final surge of the Atlantean/Amazonian war, but Batman refuses because it doesn’t matter if Barry succeeds in restoring reality as he knows it. Of course Barry doesn’t want to hear this, and compels others to join him, even Batman in the end, for he tells Thomas, “Bruce would’ve come.” And they call our Batman a master manipulator! Finally, the last page where Prof. Zoom appears to gloat, pointing at the devastation around him and telling Barry, “Look what you did.” I really am looking forward to the final issue coming out at the end of the month to see how all this contributes to the relaunch.

Flashpoint: Batman #3: The secret origin of the Joker! Yet again, we are shown what a bastard Thomas Wayne is. When he recounts the infamous alley death scene, he says two shots are fired, “bang, bang”, causing Martha to scream, “NOOOOO!”. But then he tells her what could happen if Flash is successful (which means that this story fits somewhere between Flashpoint issue one and two, I guess, thus connecting to the main series–which  I like immensely). The ending of this series is pitch perfect, and Brian Azzarello and Eduardo Risso did an awesome job overall. I almost didn’t buy this title, but I wanted to get the trinity tie-ins to see what DC would deliver, and this, so far, has been the best that I have read.

Flashpoint: Secret Seven #3: What the hell was the point of that? And by that I mean the whole series. Just to show that Enchantress is a betrayer, and Shade is an unwilling murderer? Waste of time. I thought the Lois Lane mini was the worst of those I’m reading, but this one takes that no prize thus far.

Flashpoint: World of FP #3: When I read the first issue of this, I thought perhaps it would have some sort of impact on the larger world of Flashpoint, but it’s really only a story between a daughter and her father with familiar tropes of loss, anger, and reconnection that kind of fall flat for me.

Mystic #1: What a breath of fresh air. I went into this with some reservations because I didn’t know the series when it was at CrossGen, and because the two restarts of old CrossGen series at Marvel were a bit lackluster. This is not. The story itself (by G. Willow Wilson) is a bit of trodden ground, but the characters and setting help make up for that. The art, however, is wonderful. David López (pencils), Álvaro López (inks), and Nathan Fairbairn (colors) do a fantastic job at conveying this world in a very accessible manner. Even the backgrounds are done well. The only complaint I have about the book visually is the choice to have the characters talking in purple text. I think that’s an unnecessary and distracting detail. I can’t wait to see issue two.

Secret Six #36: How bittersweet. I would have liked to see what story Gail Simone would have done with these characters if DC hadn’t gone down the relaunch path (not to mention the Bane transformation to fit him into the upcoming movie), but this is what we got, and it ends very well all things considered. I love love love the opening panels featuring Bane and his new girlfriend, Catman’s oft repeated mantra of “leave Huntress alone”, King Shark, Scandal proposing to the two loves of her life, and especially Huntress. It is through Huntress’s eyes and narrative through which the hero-side of this story is told, and it is a perfect way to end this story about these “criminals”: “In the end, we won. Of course we did. . . . Because we’re heroes. Right?” LOVED IT! I wish and hope and pray that DC brings these characters back together with Gail Simone writing them.

SHIELD #2: There is so much going on in this book, and if you didn’t read the previous seven issues, I can see someone getting very lost. Hell, I don’t understand everything and I’ve read it all. It is something that will require a reread once all 12 issues are published. But it is lovely to look at and I love the concept.

I also read Batman: Gates of Gotham #4.