By Johns, Morrison, Rucka, Waid, Giffen, Igle, Champagne, Baron, Brosseau, Richards, Schaefer, and Siglain. Cover by Jones and Sinclair.

52 was a weekly series published by DC Comics starting in May, 2006. Because I had my 52nd birthday in late 2020, I thought it might be interesting (fun?) to examine this series for its 15th anniversary. I plan to post once a week about each issue. To read previous posts, click the link (52!).

Synopsis

“How to Win a War in Space”

Week 36, Day 3

Lobo delivers Starfire and Animal Man to Lady Styx and asks for his bounty. Styx tells him, through interpreter Fishy, that there is no bounty and they are all to be broken down into bio-mass “to serve her needs”.

Styx’s minions attack the trio, incapacitating Starfire. Fishy tells Lobo the many insults Lady Styx is hurling his way, causing the Czarnian to abandon his pacifist ways. As Lobo charges Styx, she eviscerates him. Animal Man calls for Adam Strange, who fires from outside, allowing the Head of Ekron to come through. Lobo grabs Styx and throws her at Ekron, who then flies into a sun eater.

During the battle, Animal Man was shot with necro-toxin and is becoming delirious, and then he goes quiet. At the same time on Earth, Ellen Baker seems to sense it and starts to cry.

Week 36, Day 5

Charlie condition worsens, despite Tot’s best efforts to send healing flowers from Nanda Parbat, which gives Renee an idea.

Week 36, Day 6

Renee prepares to take Charlie to Nanda Parbat. Kate tells her that this “looks an awful lot like denial”. Renee tells her it’s “defiance”. Kate implores Renee to stay with her, to fight Mannheim, but Renee tells Kate that Charlie saved her, so she will take him back to Nanda Parbat in the hopes that it will save him or she’ll die trying.

In Kahndaq, Osiris reads a newspaper article that calls him a murderer, and he tells Sobek that if he were to go back to Titans Tower, they would have to arrest him. “No matter what we ever do, the entire world will always hate us.” Sobek offers Osiris an apple, telling him, “I don’t hate you.”

Week 36, Day 7

Despite the many artifacts that Supernova has brought Rip Hunter, the Time Master still can’t power the chronosphere. He also worries that Skeets will find them before they are ready. Supernova tells him, “For now we’re safe.” But then we see Skeets hovering over the Bottle City of Kandor in Superman’s Fortress.

Thoughts

I’ll be honest, I thought given the last issue’s events regarding Lobo and the others, I thought he was betraying them. Instead, we get the classic fake prisoner routine. And who didn’t see Lobo resorting to his old ways?! It was only a matter of time. I thought the “death” of Buddy was poignant only because of the follow-up scene with his wife and kids. The artists did a great job of conveying that loss and pain in just a few panels.

Again, based on last issue, I genuinely thought Charlie had died, so I was surprised to see him still kicking. After having read Batwoman comics that came after this, this Kate Kane seems like another person altogether, but maybe this experience led her to be the character I later read?

So we finally get to see Rip Hunter and he’s not in great shape. He appears to be suffering from some sort of chronal aphasia. I loved the way the scene starts to pull the “camera” back from the room Rip and Supernova are in, to just outside, to the building, even farther out until we see that they are in the Bottle City of Kandor, with Skeets hovering nearby! Such a great bit of storytelling with the reveals and foreboding menace.

Finally, I’m curious if anyone bought the 52 Series 1 action figures advertised in this issue? I think I would have liked to get the Supernova figure.

The Origin of Power Girl

By Waid, Hughes, Fletcher, Richards, Schaefer, and Siglain

Aside from the lovely Adam Hughes artwork, there wasn’t much that was interesting about this entry. But was the two infant Kryptonians rocketed to Earth something that was part of Power Girl’s original origin or is this a retcon? Her arriving later as an older person mirrors that of Supergirl’s retconned origin from a few year’s prior to this issue, so which came first? It seems really odd that DC would borrow from itself for what is essentially the same character.

And why did DC decide to keep Power Girl around AND have Supergirl? I see more opportunities for interesting stories about her, the cousin from another universe, as she interacts with Superman, but without the hang-up of living up to his legacy (she already did that with her cousin).

By Johns, Morrison, Rucka, Waid, Giffen, Lashley, Draxhall, Sinclair, Lanham, Jones, Richards, and Wacker. Cover by Jones and Sinclair.

52 was a weekly series published by DC Comics starting in May, 2006. Because I had my 52nd birthday in late 2020, I thought it might be interesting (fun?) to examine this series 15 years later. I plan to post once a week about each issue. To read previous posts, click the link (52!).

Synopsis

“Going Down”

On that alien planet, Adam Strange is still repairing the Thanagarian warbird so he, Starfire, and Animal Man can go home. However, his companions are being no help at all because they’re eating fruit that is messing with their minds. Strange squabbles with Starfire, goading her into looking for a mysterious power source they detected.

Week 7, Day 2. It’s been weeks since Renee has seen The Question, but she still ponders the clues she has and discovers one literally under her nose.

Week 7, Day 3. Ralph visits Booster to talk to him about the Cult of Connor, but Booster is distracted by a threat over the phone and an impending future event he is supposed to stop. It’s then that Ralph realizes that Booster could have known about Sue’s murder and this makes Ralph. Very. Upset.

Renee crashes a soiree at the Kane estate to ask Kate about 520 Kane Street. After punching Renee and some discussion, Kate agrees to help her former lover.

In Metropolis, Booster arrives at a LexCorp building and is confronted by the actor he hired to play a villain previously. The actor spills the beans in front of the crowd and press. Ralph piles on, asking Booster, “How many other of these … ‘death-defying rescues’ have you staged to improve your marketability?”

On that alien world, Starfire appears to have found that power source. As she looks up at it, we see a giant behind her reaching for its staff.

Thoughts

First, another noteworthy cover by Jones and Sinclair. I love the contrasting qualities of the red border and the black and white, printed-in-a-tabloid “photo” of Booster attempting to shield himself from the camera with the word EXPOSED! across his image. Just lovely.

Interesting that the first sequence on the alien world has no timestamp (it did in issue 5), but I also like that because time seems to relative when it comes to isolation, not to mention when the day appears to be as long as weeks. I wonder if the creative team had been thinking of that? About this scene in particular, I didn’t care for the exposition from Adam to the two people who already know this information! They may just as well have had Strange say, “As you know…”. But then, we get this exchange between Strange and Starfire about the fruit she and Buddy are eating where she almost laments that Strange doesn’t “know how delicious it is” because he won’t eat any, and a little later, she echoes that thought: “…you won’t eat any…”. It’s not just that the fruit is intoxicating, it’s possibly a way to trap prey? Is it being used by the mysterious predator discussed in issue 5?

In Renee’s scene, we see a shot of her cast upon which she has drawn many question marks. Now, we have already seen her as obsessive, but to mark her arm in that way? Is this merely hinting at the future (she is becoming the question) or just that the artist thought it would be funny to draw all those question marks? I am tired of seeing Renee pose with that alien looking gun. I have a gun and I don’t pick it up as I’m thinking through something. But to each their own, I guess.

I loved the scene between Ralph and Booster. The artists drew Ralph’s face in shadows and almost always looking down, suggesting the grief that consumes him. Besides that, when Ralph realizes that “this whole era is history” to Booster, he shoves Booster into the wall, screaming at him, “why the hell didn’t you warn me my wife was going to die?” Booster tells Ralph that he was just as surprised about Sue’s death, saying, “I didn’t learn every little detail…” (about the past), Ralph responds through gritted teeth, Little. DETAIL?” I love how the creative team took these two sort of joke characters and are giving them some real-life drama to deal with.

In regards to the Kate and Renee scene, it almost feels like I missed something because this doesn’t seem like the Kate Kane I am familiar with, but that’s probably more to do with my lack of familiarity or were there changes in the future continuity of her character? I seem to be bumping against this idea of Kate as a debutante and former military. Not to say that a person can’t be both, but the difference seems too far? I guess I’ll find out as we move along.

I knew that actor would be bad news for Booster, but I expected that plot point to be more drawn out. And what does the actor expect to get out of this exposure? Despite what he says, him coming clean about his involvement in this scam doesn’t exonerate him legally, but I guess if you sway public opinion enough…? And then to have Ralph kick Booster while he’s down is a great counterpoint to the earlier scene between them.

In the final, wordless scene with Starfire, we see what looks like a Kirbyesque (or is it an actual Kirby character?) giant. I have no idea who this is, so I’m looking forward to the next scene and to see if this giant plays a larger role in the story.

Finally, the art this issue (specifically the inking), for the first time, is not to my liking, coming across as uneven comparatively in the different scenes. So far, this series has been superbly consistent, but this really highlights how well the team has been doing on this WEEKLY series. If it normally takes weeks to produce a comic book that is printed monthly, I can only imagine the chaos that was this book. It’s really a testament to all the creatives and editors who worked on it.

History of the DCU, part 6

by Jurgens, Rapmund, Major, Cox, Leigh, Berganza, Cohen, and Schaefer

The events of Zero Hour get the spotlight here. One item that piqued my interest was the comment by the Orb that Hal Jordan, as Parallax, in his desire to erase the “destruction of Coast City and other events that he didn’t like”,

He would have created multiple universes with multiple Earths, unwittingly restoring much of what existed before the Crisis.

Ok. First, I don’t recall that aspect of Zero Hour (and now I want to go read that series again). Second, the way that sentence is written, it implies that restoring the multiverse was not a good thing. Now, I know DC editorial thought so, but in universe, what is the meaning behind this? Plus, given what is going on in Death Metal and Perpetua and the omniverse, this comment takes on an almost prophetic tone. Could this have inspired Scott Snyder??? ;)

It’s interesting to me now that this History of the DCU is focusing on all the crises because it’s highlighting the transitory nature of the DCU, and perhaps not so positively. I mean, I read all of those crisis books as they were being published, and I was excited about them and what these changes could mean, but looking back on it in this way seems almost to devalue the characters and the “universe” that DC Comics had been building for decades.