52! Week Forty-Four

By Johns, Morrison, Rucka, Waid, Giffen, Barrows, Green, Ramos, Baron, Leigh, Richards, Schaeffer, and Siglain. Cover by Jones and Sinclair.

52 was a weekly series published by DC Comics starting in May, 2006. Because I had my 52nd birthday in late 2020, I thought it might be interesting (fun?) to examine this series for its 15th anniversary. I plan to post once a week about each issue. To read previous posts, click the link (52!).

Synopsis

“Deaths in the Family”

Week 44, Day 1

Black Adam is struck by lightning, and he tells Isis that Osiris’s power has returned to him. They find Amon dead and Sobek reveals that he is Yurrd, the Unknown, also known as Famine. The other three Horsemen of Apokolips arrive and attack the couple. Black Adam breaks Yurrd’s mouth, and Pestilence infects Isis with its disease. Death is about to kill her when Adam uses one of War’s guns to stop it. He kills Pestilence, and Isis then calls up lava to help Adam against Death, who then flees. Before she dies, Isis tells Adam he was right and that he should avenge her and Amon.

In Nanda Parbat, Renee knows that Isis has died when the flower the demi-goddess gave her wilts away. When she wonders how Adam and Osiris will cope, Tot and Richard Dragon tells her to find out. Tot gives her Charlie’s hat and coat, but she rejects the notion, “I’m not going to be him”. Dragon convinces her that some questions “can only be answered by wearing a mask,” and she dons the hat, a tear falling down her cheek.

Thoughts

I love this cover — the blood on the white background, the reflection of Isis in her brother’s blood — it’s an indication and a portent. I’d love to know how Jones and Sinclair created the splatter and spray — is it just Photoshop brushes?

So the whole Oolong Island machinations were because  Black Adam refused Intergang’s offer in issue 3? What of the Darkseid connection and the Crime Bible? This just looks more like crime family squabbling, but I suppose DC needed to revert Adam somehow. How many times will they continue to play with that toy? It’s become a specific Black Adam trope (they’re doing it now in Justice League). Also, I felt it was too easy for Isis to tell Adam, you were right, destroy the evil in the world and avenge us. Or would that be hackneyed to have Adam struggle against his baser nature and his wife’s dying plea to not succumb to pain and rage?

RIP Isis, we hardly knew ye. It’s especially poignant because at the time of this writing, JoAnna Cameron, who played the character on The Secrets of Isis television series, died within the last week. I would have loved to have seen this character interact more with the larger DCU. I know they brought the character back, but I doubt she’s the same. Perhaps I will seek out her other appearances (including the 1970s The Mighty Isis series).

Last post, I described Sobek biting Amon’s head off as he tried to speak Black Adam’s name, but in this issue, Amon’s head is still attached. Also, given Sobek’s hunger, I would have expected there to be less of Amon intact. Perhaps DC editorial didn’t want to go too bloody (the cover notwithstanding).

As for the arrival of the other Horsemen of Apokolips or Monster Society or whatever, they are pretty much a nothing burger, aren’t they? Sure, two of them kill a super being each (well, one really), but four of them couldn’t take out Black Adam, so they are hardly the threat I think the Oolong scientists thought they were. Perhaps I’m missing something and should go read 52 Aftermath: The Four Horsemen? (Probably not.) Also, I hoped to have some connection with Veronica Cale given her tears at the sight of these creatures when they left Oolong Island (issue 38). Perhaps that’s to come, but I would have preferred that to the end scene with Renee sort of donning the guise of the Question. I do appreciate, however, that when she puts on the hat, her face is partially obscured, foreshadowing the inevitable (and obvious). It is the last vestige of her as simply Renee Montoya, much like it’s the last remnant of Black Adam, benevolent ruler.

I feel like I have wondered in these posts if the Marvel family members shared the power, meaning that Captain Marvel is actually weaker because Marvel Jr and Mary have a part of his power. This seems to have been confirmed because when Amon died, Black Adam is hit by lightning (which is a nice visual for that) and he tells Isis that “I feel … stronger. [Osiris’s powers] have returned to me.” Maybe this is well known to Shazam-o-philes, but I had always been curious.

Finally, this issue contains a house ad for the series, asking us if we have solved the mystery. There are pictures of characters representing the major storylines of the series, with Rip Hunter’s crazy chalkboard in the background. I reviewed my post about issue 6 where those chalkboards appeared and while some things have been revealed since then, there really hasn’t been a resolution to a lot of the items, meaning there’s a whole lot of revelation needing to happen in the next eight issues.

52! Week Forty-Three

By Johns, Morrison, Rucka, Waid, Giffen, Jurgens, Rapmund, Hi-Fi, Lopez, Schaeffer, and Siglain. Cover by Jones and Sinclair.

52 was a weekly series published by DC Comics starting in May, 2006. Because I had my 52nd birthday in late 2020, I thought it might be interesting (fun?) to examine this series for its 15th anniversary. I plan to post once a week about each issue. To read previous posts, click the link (52!).

Synopsis

“Family Matters”

Week 43, Day 1

Osiris and Sobek travel to the Rock of Eternity so that Osiris can ask Captain Marvel to make him part of the Marvel family, ridding him and Kahndaq of the curse, but Black Adam and Isis arrive to convince him otherwise. There is a brief struggle between Osiris and Black Adam, with the former accidentally hitting Isis. Osiris stops and apologizes, and she convinces him to stay with her and Adam.

Week 43, Day 4

The aliens who first granted Animal Man his powers reset the morphogenetic graft and return him to the asteroid where he was left for dead. He begs them to not leave him here and that he will die there without any animal ability to keep him alive. With seconds before he suffocates, and looking at a picture of his family, Animal Man reaches out with his powers and comes into contact with sun-eaters. Now smiling, Animal says, “Migration maps. Homing abilities. Oh, yes.”

Elsewhere, a pregnant alien’s baby violently extracts itself, and it is Lady Styx reborn.

Week 43, Day 5

Back in Kahndaq, Osiris reveals that he only told his sister that he’d stay with them because that’s what they wanted to hear, and he plans instead to leave Kahndaq: “As long as I have these powers I need to be far away from anyone–“. Sobek then tells him that he can rid himself of the curse by renouncing his powers, returning to his broken human body as Amon. Orisis agrees, “That must be my penance!”

After Osiris changes, he tells Sobek, “Perhaps I will be happy again and all of Kahdaq will be as well.” Then Sobek chomps down on Amon’s torso. Amon tries to speak Black Adam’s name, but Sobek bites his head off, announcing, “I’m not so hungry anymore.”

Thoughts

I like the double play of the title, “Family Matters”: it can be things a family deals with together and that family is important, both of which are at play here for the Black Adam family and for Animal Man. And like all families, they now have a death to deal with…

When I would think of this series over the years, I would remember very distinctly a few scenes, and Osiris’ grisly death at the mouth of Sobek was one of them. So was this justice for Osiris the murderer? At the very least, it was the end of the Black Adam family, a concept from this series that I liked.

Speaking of Sobek, I was hoping to see his physical transformation over the course of this issue and not just at the big reveal/chomp. On the final page, his mouth is more extended and his teeth look longer and with sharper points. Given that Sobek urged Osiris to change to his human form in that last scene, I wonder if he would have taken a bite out of his “friend” when they were about to enter the Rock of Eternity earlier?

That scene is where I also had trouble with the presentation of the book. What we were seeing didn’t match the dialog. When Osiris and Sobek reach the inner chamber, he says, “Who is down there?” Yet, there is no “down” and the Marvel family are clearly lit and only a few feet away. Later, after Osiris has struck his sister, he says she was bleeding, but we don’t see that.

As for Animal Man, I’m curious how far away were those sun-eaters? Can he reach out for light-years? For example, could he take on aspects of animal life on Rann when he’s on Earth? My recollection of Animal Man after this series was that the writers focused instead on the relationship between him and Starfire, creating a “romantic” triangle with them and Animal Man’s wife. Ugh.

Finally, Dan DiDio announced in the DC Nation entry in this issue that the follow-up to 52 would be another weekly series, Countdown, with Paul Dini as head writer and Keith Giffen again breaking down the art. DiDio said, “Countdown … will act as the spine of the DCU for the next year”. While I read Countdown, I don’t recall it having any real impact on the DCU until the end, which was merely a lead-in to the next event. In fact, I had a feeling before the first issue had shipped that it would not be as good as its predecessor, and I was right. Don’t expect weekly posts about Countdown, dear reader….

The Origin of Plastic Man

By Waid, Van Sciver, Sinclair, Lopez, Richards, Schaefer, and Siglain

Plastic Man has never interested me. I think it was the cartoon series in the 80s that prejudiced me against the character (not to mention the following season where they gave him a son — wait! Was that the first appearance of Offspring?!). However, I like the promise of his origin told here, specifically, how he uses his real identity to infiltrate criminal organizations and takes them down as Plas.

52! Week Thirty-Nine

By Johns, Morrison, Rucka, Waid, Giffen, Smith, Snyder, Sinclair, Leigh, Richards, Schaeffer, and Siglain. Cover by Jones and Sinclair.

52 was a weekly series published by DC Comics starting in May, 2006. Because I had my 52nd birthday in late 2020, I thought it might be interesting (fun?) to examine this series for its 15th anniversary. I plan to post once a week about each issue. To read previous posts, click the link (52!).

Synopsis

“Powers & Abilities”

Week 39, Day 1

Natasha and Jake follow Dr. Laughlin into a lab to confront him when the lab explodes. They attempt to put out the fire when Security and Mercy Graves arrive. While Natasha and Jake hide above them on the ceiling, Graves tells Security to salvage everything they can.

Week 39, Day 3

Ralph Dibny and the Helmet of Fate arrive at the ruins of Atlantis. They ask a distraught magician where they can find the Shackles of Arion. Once at the location, the Helmet tells Ralph that in order to take an enchanted link of the shackles, he must make an exchange. Ralph offers his wedding ring, which the Helmet uses to replace one the links.

Week 39, Day 6

On Oolong Island, a space warp is opened for the Horsemen to enter. Doctors Tyme and Sivana discuss the latter’s discovery of Suspendium, which is artificial time in particle form. Sivana tells Dr. Morrow that he had bombarded Mr. Mind with Suspendium radiation to see what would happen, but he was brought to the Island before he could see the result.

The Horsemen leave the Island in the portal, and Morrow warns Dr. Magnus that he’ll make people suspicious if he continues to take things made of tin, mercury, gold, and lead. Magnus distracts Morrow with an article that revealed that Red Tornado has appeared on Earth. Morrow is very intrigued and leaves. Magnus then tells a miniature Mercury to stay out of sight.

Black Adam, Isis, and Sobek discuss Osiris and the guilt he feels for killing Persuader. Then a loud boom is heard and Sobek notices that Isis’ garden is dying.

Week 39, Day 5

Natasha uses one of her robot insects to spy on Lex Luthor in the Alpha Lab, and Jake arrives to warn her that Security is coming. He also tells her that he has something to show her and takes her to a room where the real Jake, what’s left of him, is lying on a table, a plate with a knife and fork nearby. The Jake that brought Natasha there transforms into Everyman and reveals that while he only needs to ingest a little bit of organic material, he’s discovered that he likes how it tastes. He then transforms into Natasha. Natasha attacks Everyman, declaring that “You’re going to get what you deserve”. Luthor arrives, blocking a flame blast intended for Everyman. He attacks Natasha and Graves removes her powers. Luthor tells Natasha that Dr. Laughlin had lied about Lex not being compatible with the Everyman Project. After Luthor punches and slaps her, she tells him he is “as much an animal as Everyman”. “Wrong,” says Luthor, “I’m Superman.”

Thoughts

What happened to this issue? First, the ticker on the cover states that Montoya fights a dragon (she’s not in the issue), and then there’s a Day 5 sequence that followed a Day 6 sequence. Were the editors asleep that month? OR, is something going on with time itself???

I love the composition of this cover: Lex flying, in a very Superman-like pose, above the Earth with the sun behind him, illuminating him — I love what Sinclair is able to do with “light” in his coloring work. Also, I really like how they thematically tie the cover to the final page of the issue, with the reveal that Luthor presumably has Superman’s powers. Even better is that the way Luthor’s shirt has been burned away in the shape of Superman’s chest shield.

I think that Ralph sacrificing his wedding ring will turn out to be a moment of irony, and it’s sad but poignant — what wouldn’t we give up to reobtain something so important and precious to us?

We’re certainly starting to get tidbits of information connecting events, such as Sivana’s revelation about his experiment with Mr. Mind and that he’s observed that the Suspendium is acting strangely. Also, Morrow’s throw-away line about Magnus talking to himself is because he’s actually been talking to a recreated mini Mercury. So the manic Magnus we’ve seen over the last few issues is a ruse or has Magnus figured out how to work through his state without medication?

The sense of dread that has been building up on Oolong Island with Magnus in particular and overall with the mad scientists’ projects has now turned to serve a comic book trope. Yes, the Four Horsemen (well, the three we’ve seen on Oolong Island) look menacing and will no doubt be a problem, but they’re really just a bunch of villains the heroes will defeat eventually. I guess I was hoping for something more.

The splash page reveal of the real Jake’s body was really gross. Most of his left arm and leg and his right foot have been cut off (and hanging above) and it was only upon rereading the issue that I noticed Jake’s body is on top of a checkerboard tablecloth with a plate nearby. *gag* Well done art team, well done! Speaking of the art, I noticed that Andy Smith was new to this series, and I thought he did a fine job as penciller. I wonder why he didn’t do more than just this issue?

The beating Luthor gives Natasha is brutal, especially after her powers have been removed, but given the massacre he created on New Year’s Eve, this is just par for the course, I suppose. I guess I’m not used to seeing Luthor behave so aggressively. It’s almost like the Everyman Project procedure alters (certain?) people, or maybe it just accentuates the worst aspects of them (like Everyman himself)? In preparing for this post, I discovered that there is an after-effect of the Everyman Project in its participants that plays out with Natasha and others — I should find and read those issues as well.

The Origin of Mr. Terrific

By Waid, Van Sciver, Sinclair, Leigh, Richards, Schaefer, and Siglain

I did not know (nor remember in this entry at all) Mr. Terrific’s brother nor his almost suicide. Most of the other personal information about this character — that he was extremely smart, athletic, and the impact his wife’s death had on him — I had learned from other stories over the years.

If Mr. Terrific is the third smartest man in the world, who is #1 and 2? Lex Luthor springs to mind, as does Bruce Wayne. While I found a reference online where Geoff Johns stated that Lex and Bruce are #1 and 2 (though not specifically which is which), I prefer to think of Bruce as the fourth smartest (#1 strategist though). Another contender is Ray Palmer, but comparatively, so is Dr. Magnus, i.e., they are experts in their particular field, but overall smartest? Nah (though I guess there is textual evidence that Palmer is considered one of the smartest overall). Head canon!

One of these days, I need to read the Checkmate stories featuring Mr. Terrific and Green Lantern.

52! Week Thirty-Four

By Johns, Morrison, Rucka, Waid, Giffen, Bennett, Jose, Baron, Lanham, Richards, Schaefer, and Siglain. Cover by Jones and Sinclair.

52 was a weekly series published by DC Comics starting in May, 2006. Because I had my 52nd birthday in late 2020, I thought it might be interesting (fun?) to examine this series for its 15th anniversary. I plan to post once a week about each issue. To read previous posts, click the link (52!).

Synopsis

“Suicidal Tendencies”

Week 34, Day 1

The Suicide Squad watches for and then engages the Black Adam family.

Week 34, Day 3

The two groups fight, and Osiris pleads for Black Adam not to kill them, but when Persuader chops Isis’ face, Osiris is the one who murders the villain. The family leaves, and Amanda Waller tells her team that she got what she wanted.

Week 34, Day 4

The Infinity, Inc. women shop for clothes for an upcoming New Year’s Eve party and Barbara Gordon (Oracle) makes it so that chaperone Mercy Graves’ card is declined, separating her from the girls, specifically Natasha Irons. Disguised as security, John Henry Irons provides some facts about Luthor’s Everyman Project, challenging his niece to “draw your own conclusions”.

Week 34, Day 5

Clark Kent is injected with a truth serum and asked why Superman is masquerading as Supernova. Kent laughs and tells them truthfully, “he’s not Superman”.

Week 34, Day 7

Charlie is at St. Luke’s in Gotham City and Renee Montoya receives word from the doctor that the end is near. She sits with Charlie, who sings “Danny Boy” quietly, as she watches the New Year’s Eve countdown. Elsewhere, a Luthor employee tells Luthor that they have verified that Kent is telling the truth. An irritated Luthor goes up the roof, seeing his Everymen flying through the sky and glances down at the paper that confirms again that he is not compatible with the Everyman Treatment. He decides to make it so Supernova, who is “winning too many [Metropolitans] hearts”, fails “in the face of a real challenge”. As the city counts down to the new year, and Charlie dies, Luthor ominously presses a remote button.

Thoughts

I like this simple cover with the question mark on the toe-tag — it’s quite effective.

So we have another timing error (something that didn’t happen that often in this series, at least so far). For some reason, they tagged Day 1 and Day 3 in the same scene. I sincerely doubt the fight between the Black Adam family (I know they refer to them as the Black Marvel family, but I prefer my name) and the Suicide Squad lasted three days. I suspect that Day 1 was just supposed to be the Squad surveilling and then engaging on Day 3. Also, I found the “tickling” between Electrocutioner and Plastique gross. I’m sure that when I first read this issue that I minorly freaked out at the first (and final) appearance of the Persuader in the 21st century. I know the L.E.G.I.O.N. book was fond of directly connecting events and characters (if only as ancestors) to their 31st century counterparts, but did they really need to in this case?

I wonder if Geoff Johns was aping himself (I assume Johns is responsible for this part of 52) when he had Osiris body slam Persuader into bloody bits? Orisis’ anguish at being the one who murders as his step-father has done before, while he implored Adam not to earlier, was affecting, as was the the panels showing Isis comforting him in shadow and rain. Finally, has anyone noticed that Sobek is getting bigger and more menacing looking? Or is it just how the individual artists are portraying the character? He’s also speaking much more confidently — I wonder what this means…?

I have long complained about the Irons family drama in these issues, but what is it about what John says to Natasha that elicits her worried reaction? Is it just the way he delivers his message (which should have happened a long time ago)? Ugh!

I love that part of Metropolis’ New Year’s Eve celebration is dropping a Superman shield instead of a traditional Times Square-like ball (or an “L”, if Luthor got his way). I also liked the overlapping images of all the flying characters (Superman analogs), the countdown, Charlie dying, and Luthor’s pressing the button, presumably (and if memory serves) to negate the powers of everyone outside. Though, just on the surface, the villain pressing a button is hardly a dramatic close to an issue. This part of the ending really overshadowed the death of the Question, though I enjoyed the way they portray the passing of the mantle with Charlie singing “Danny Boy”: “It’s you, It’s you must go and I must bide”.

The Origin of Zatanna

By Waid, Bolland, Lanham, Richards, Schaefer, and Siglain

My first exposure to Zatanna was from a JLA cover (#161) where she wore the more traditional superhero costume — skintight outfit with a cape — and that very tight and long ponytail. I would only see her in what is considered her traditional outfit later, as shown in this issue. And then I found out that she wore what her father wore and I thought that was kind of dumb. Well, now I’m the dummy because I love this look now, especially how Brian Bolland draws the character.

Here it is mentioned that Zatanna’s magic is genetically inherited — I wonder if this aspect was ever explored because the idea of magic and science melded in this way is fascinating to me.

This origin references her (retconned) involvement in Identity Crisis where she mind-wipes the League’s enemies (one of the lowest points in their history), which tarnishes her for a while.

52! Week Thirty-Three

By Johns, Morrison, Rucka, Waid, Giffen, Prado, Derenick, Leisten, Ramos, Baron, Brosseau, Richards, Schaefer, Wacker, and Siglain. Cover by Jones and Sinclair.

52 was a weekly series published by DC Comics starting in May, 2006. Because I had my 52nd birthday in late 2020, I thought it might be interesting (fun?) to examine this series for its 15th anniversary. I plan to post once a week about each issue. To read previous posts, click the link (52!).

Synopsis

“The Most Wonderful Time of the Year”

Week 33, Day 4

Central City: A drinking Ralph Dibny and the Helmet of Fate have come to the Flash museum, specifically the Elongated Man room (“If [Barry] were still alive, this would be a wing, not a closet.”), so Ralph can retrieve the same gun he nearly killed himself with earlier in the year.

Week 33, Day 5

Gotham City: While Alfred Pennyworth leads a children’s choir singing Christmas songs, Nightwing brings Batwoman a present: a real batarang.

Metropolis: Dr Laughlin tells Lex Luthor that one of the Everyman Project’s subjects is dying. Luthor then delivers the gift of cars (a Tanahashi 500) to his Infinity, Inc. members. After they leave to drive their vehicles on a private dragstrip (5th Avenue), Mercy delivers some bad news to her boss: Luthor’s genetics is not compatible with the Everyman Project process. As Luthor contemplates this news, wanting a sign “that the time and effort I pour into improving [‘this inequitable little universe’] might actually, for once, be rewarded”, Dr. Laughlin returns to tell him that the subject will “pull through” and that “some … x-factor in his body is … adapting to the Everyman process”. Luthor tells Laughlin to “draft a glowing obituary” because “something inside the boy opened the door to the possibility of genetic adaptation”. As the doctor leaves, Luthor and Mercy toast the Christmas miracle.

Gotham City: Renee Montoya attends to a dilerious Charlie, who sees and talks to his sister, Myra, as well as his father. After Renee gets Charlie back to bed, Kate Kane comforts Renee, and they kiss.

Many people commemorate Christmas Eve in various ways, including Ellen Baker, who looks up at the stars and wishes her husband a happy Christmas; Clark Kent and Lois Lane dance beneath mistletoe; the Gotham City Police department welcomes Commissioner Gordan back; Hal Jordan spends time with family; and Buddy Baker is told the nearby star that Ellen gazed upon is Vega.

Week 33, Day 6, Christmas

The Black Adam family discuss what Captain Marvel Jr. told Osiris, and Isis convinces Black Adam that the “world will see us as monsters unless we show them otherwise”. In front of the Justice Society, Teen Titans, and others, they all change back to their human forms.

At Belle Reve Federal Prison, Amanda Waller does not buy Black Adam’s change of heart and has assembled a new Suicide Squad to deal with him and his family.

Thoughts

Much of this issue is just padding for several ongoing plots, with some nice details along the way. For example, the Flash Museum has an Elongated Man Room — so is there also a Green Lantern Room (or wing)? Alfred saying, “A-one and a-two and a-three,” as he directs a children’s choir. Kate kisses Renee.

I love the mirroring of the star on the two-page spread featuring the DC characters, bookending the spread with the Ellen and Buddy Baker panels. Also, you get the gamet of Christmas time emotions/experiences, from loving couple (Clark and Lois), to friends and family (Firestorm and Cyborg and Hal Jordan with his family), and being alone on the holiday (Fire, Catwoman).

Did you notice the look on Sobek’s face when the Adam Family reverted? The artists did a great job of foreshadowing the menace.

The Origin of Martian Manhunter

By Waid, Mandrake, Sinclair, Brosseau, Richards, Schaefer, and Siglain

Martian Manhunter has long been one of my favorite DC characters, especially when they expanded his origin to include the reason behind his “vulnerability” to fire (the telepathic plague). What I didn’t know (or forgot?) was that Dr. Erdol’s teleportation beam is associated with the Zeta beam — there’s a reference to Erdol’s beam being “powered by unstable radiation on the volatile Zeta scale”. I don’t know that they need to tie everything together like this, or perhaps J’onn himself did so?

I also find it ironic that his Martian vision generates heat when fire is a concern.