52! Week Forty-Six

By Johns, Morrison, Rucka, Waid, Giffen, Olliffe, Geraci, Ramos, Baron, Lopez, Richards, Schaeffer, and Siglain. Cover by Jones and Sinclair.

52 was a weekly series published by DC Comics starting in May, 2006. Because I had my 52nd birthday in late 2020, I thought it might be interesting (fun?) to examine this series for its 15th anniversary. I plan to post once a week about each issue. To read previous posts, click the link (52!).

Synopsis

“Mad Science”

Week 46, Day 1

Black Adam fights through various defenses put forth by the Oolong Island scientists. Veronica Cale opens the blast doors to tell Adam that she “made the things that killed your family”, but he walks past her. Once Adam is inside, Ira Quimby galvanizes the scientists to continue fighting. T. O. Morrow then uses tesseract technology to incapacitate Adam, and Komrade Krabb puts a neuro crown on him, rerouting the “electrical impulses [his] brain sends to his body”, incapacitating Adam. Sivana gloats over Adam, telling everyone, “I’ve been making plans for this moment for a very, very long time…”.

Week 46, Day 3

In Metropolis, as Lex Luthor is being escorted to a police van, Clark Kent calls for Steel and the police Chief to follow him. Kent leads them to a room with a lead door, which Steel breaks through, and they discover the real Luthor. The fake Luthor turns out to be Everyman, who decides to reveal himself in order to attack Natasha Irons. Luthor feigns ignorance and Natasha easily dispatches Everyman.

Week 46, Day 4

The JSA search for survivors in Bialya, with the Flash reporting he found no one and Green Lantern states over 2 million are dead. Atom Smasher arrives, telling them that he wants back on the JSA and to help find Black Adam.

Thoughts

I love the double meaning of the title, “Mad Science”, with the emphasis on “Mad” as we see Black Adam flying through the acid rainstorm, his teeth gritted and his eyes couched by shadows.

The most interesting thing about the Black Adam sequence, besides seeing him laid low by Morrow and the rest (wait until he gets free…), is Cale. She starts by telling Magnus that, “We deserve to die”. She genuinely seems on the verge of repentance, especially in the way her eyes are shown in the panel spanning pages 2 and 3. But then she tells Magnus, “The forces of evil are gathering …. Their goal is eternal slavery and the destruction of free will”. She then jumps on Magnus, saying, “Oh, Will — doesn’t that turn you on?” Later, she confesses to Magnus that as a little girl, she wanted to change the world, but “none of this will be remembered”. That’s when she opens the blast doors (after killing a guard to do so) to confront Black Adam. Does she want him to kill her? Does she feel guilt or just the weight of inevitability? Despite her confession (“It was me,” she tells him meekly), Adam breezes past her, as if she doesn’t exist. This woman continues to vex me — she’s a murderer and callous, but also seemingly insecure and shaken to the core by this experience. What will she like be when we next see her (and I do want to see more of her!)?

A smaller, surprising element was I.Q.’s role in this melodrama. He has appeared before, but his role was inconsequential as I recall. However, here, he talks almost like Glorious Godfrey in the way he inspires the assembled scientists to keep fighting, directing them in their battle, and then punctuates the victory with a somewhat modest, “That’s how I saw it all working out anyway”.

The Origin of Batman

By Waid, Kubert, Baumann, Balsman, Richards, Schaefer, and Siglain

I’m not sure why DC felt the need to retell Batman’s origin in this series. There’s some nice Andy Kubert art, though.

52! Week Thirty-Four

By Johns, Morrison, Rucka, Waid, Giffen, Bennett, Jose, Baron, Lanham, Richards, Schaefer, and Siglain. Cover by Jones and Sinclair.

52 was a weekly series published by DC Comics starting in May, 2006. Because I had my 52nd birthday in late 2020, I thought it might be interesting (fun?) to examine this series for its 15th anniversary. I plan to post once a week about each issue. To read previous posts, click the link (52!).

Synopsis

“Suicidal Tendencies”

Week 34, Day 1

The Suicide Squad watches for and then engages the Black Adam family.

Week 34, Day 3

The two groups fight, and Osiris pleads for Black Adam not to kill them, but when Persuader chops Isis’ face, Osiris is the one who murders the villain. The family leaves, and Amanda Waller tells her team that she got what she wanted.

Week 34, Day 4

The Infinity, Inc. women shop for clothes for an upcoming New Year’s Eve party and Barbara Gordon (Oracle) makes it so that chaperone Mercy Graves’ card is declined, separating her from the girls, specifically Natasha Irons. Disguised as security, John Henry Irons provides some facts about Luthor’s Everyman Project, challenging his niece to “draw your own conclusions”.

Week 34, Day 5

Clark Kent is injected with a truth serum and asked why Superman is masquerading as Supernova. Kent laughs and tells them truthfully, “he’s not Superman”.

Week 34, Day 7

Charlie is at St. Luke’s in Gotham City and Renee Montoya receives word from the doctor that the end is near. She sits with Charlie, who sings “Danny Boy” quietly, as she watches the New Year’s Eve countdown. Elsewhere, a Luthor employee tells Luthor that they have verified that Kent is telling the truth. An irritated Luthor goes up the roof, seeing his Everymen flying through the sky and glances down at the paper that confirms again that he is not compatible with the Everyman Treatment. He decides to make it so Supernova, who is “winning too many [Metropolitans] hearts”, fails “in the face of a real challenge”. As the city counts down to the new year, and Charlie dies, Luthor ominously presses a remote button.

Thoughts

I like this simple cover with the question mark on the toe-tag — it’s quite effective.

So we have another timing error (something that didn’t happen that often in this series, at least so far). For some reason, they tagged Day 1 and Day 3 in the same scene. I sincerely doubt the fight between the Black Adam family (I know they refer to them as the Black Marvel family, but I prefer my name) and the Suicide Squad lasted three days. I suspect that Day 1 was just supposed to be the Squad surveilling and then engaging on Day 3. Also, I found the “tickling” between Electrocutioner and Plastique gross. I’m sure that when I first read this issue that I minorly freaked out at the first (and final) appearance of the Persuader in the 21st century. I know the L.E.G.I.O.N. book was fond of directly connecting events and characters (if only as ancestors) to their 31st century counterparts, but did they really need to in this case?

I wonder if Geoff Johns was aping himself (I assume Johns is responsible for this part of 52) when he had Osiris body slam Persuader into bloody bits? Orisis’ anguish at being the one who murders as his step-father has done before, while he implored Adam not to earlier, was affecting, as was the the panels showing Isis comforting him in shadow and rain. Finally, has anyone noticed that Sobek is getting bigger and more menacing looking? Or is it just how the individual artists are portraying the character? He’s also speaking much more confidently — I wonder what this means…?

I have long complained about the Irons family drama in these issues, but what is it about what John says to Natasha that elicits her worried reaction? Is it just the way he delivers his message (which should have happened a long time ago)? Ugh!

I love that part of Metropolis’ New Year’s Eve celebration is dropping a Superman shield instead of a traditional Times Square-like ball (or an “L”, if Luthor got his way). I also liked the overlapping images of all the flying characters (Superman analogs), the countdown, Charlie dying, and Luthor’s pressing the button, presumably (and if memory serves) to negate the powers of everyone outside. Though, just on the surface, the villain pressing a button is hardly a dramatic close to an issue. This part of the ending really overshadowed the death of the Question, though I enjoyed the way they portray the passing of the mantle with Charlie singing “Danny Boy”: “It’s you, It’s you must go and I must bide”.

The Origin of Zatanna

By Waid, Bolland, Lanham, Richards, Schaefer, and Siglain

My first exposure to Zatanna was from a JLA cover (#161) where she wore the more traditional superhero costume — skintight outfit with a cape — and that very tight and long ponytail. I would only see her in what is considered her traditional outfit later, as shown in this issue. And then I found out that she wore what her father wore and I thought that was kind of dumb. Well, now I’m the dummy because I love this look now, especially how Brian Bolland draws the character.

Here it is mentioned that Zatanna’s magic is genetically inherited — I wonder if this aspect was ever explored because the idea of magic and science melded in this way is fascinating to me.

This origin references her (retconned) involvement in Identity Crisis where she mind-wipes the League’s enemies (one of the lowest points in their history), which tarnishes her for a while.

52! Week Eighteen

By Johns, Morrison, Rucka, Waid, Giffen, Barrows, Stull, Sinclair, Lanham, Jones, Richards, Wacker. Cover by Jones and Sinclair.

52 was a weekly series published by DC Comics starting in May, 2006. Because I had my 52nd birthday in late 2020, I thought it might be interesting (fun?) to examine this series for its 15th anniversary. I plan to post once a week about each issue. To read previous posts, click the link (52!).

Synopsis

“Dismantled”

Week 18, Day 1

Detective Chimp, Terri Thirteen, and Edogawa Sangaku arrive at the House of Mystery to find their colleague, Tim Trench, wearing the Helmet of Fate. When Terri touches Tim, his body turns to water, leaving the Helmet in a puddle.

Week 18, Day 2

Charlie is awarded the Order of the Crescent for helping to stop the suicide bomber by Black Adam and Isis. Renee was supposed to have been present as well, and her absence offends Adam. Adam finds a drunk Renee with a Kahndaqian woman. When Adam tries to give Renee the medal, she swats it away, angering him. He picks her up by her throat, and Renee tells him, quietly, “… just do it…”, but Isis intervenes. Charlie tells them they are focusing on the suicide bomber instead of why she was at the wedding in the first place: they should be going after Intergang.

Week 18, Day 3

Detective Chimp has tracked Ralph Dibny to Marseilles, France, and has brought the sealed Helmet of Fate with him to enlist Ralph’s help to unravel the mystery. Ralph tells him it’s time to call in the Shadowpact.

Week 18, Day 4

Clark Kent is in Cincinnati, OH, to cover Booster Gold’s funeral. While there, Skeets encounters a young man who seems “vaguely … familiar” to it. He is Daniel Carter, who, according to Skeet’s scans, is a direct ancestor of Booster’s. Skeets tells Daniel to contact it to talk about his future.

Week 18, Day 7

The Shadowpact and Ralph have assembled in Giza, Egypt, the “shadow of the helm’s birthsite”, to scry what has happened recently to the helmet. The Helmet begins talking to Ralph, telling him that it can give him the “answers you seek” if he is prepared to “make every sacrifice I ask of you”. Ralph announces he is ready, and walks off with the Helmet. The Shadowpact look on puzzled, and Enchantress says, “Is it just me, or does he think that the Helmet was talking to him?”

Thoughts

This might be my favorite issue yet. In fact, I want to do a spotlight episode on the podcast on this issue! So many things to cover and explore….

First, here’s another cover I love. It has a very pulpy paperback cover feel to it, especially with the large Helmet of Fate looming over everyone and the scratchy letters, “Calling Dr. Fate”, in the bottom corner. Plus, Sinclair’s coloring of the Helmet here is gorgeous with the way light bounces off the metal — it’s not a spit-polished helmet by any means; that helmet has some history to it!

I also love the way they roll out the credits in the first few pages. Usually, they presented in a banner-like way across the pages, but this issue, they’ve placed the credits on pages framed to the walls or on mirrors in the House of Mystery. It helps direct our eyes to the other items on the walls, giving us a brief look into this group of occult investigators, the Croatoan Society: Detective Chimp, Terri Thirteen, Edogawa Sangaku, Tim Trench, and formerly Ralph Dibny. Ok, this was a new group created in this very issue (as far as I can tell), but the way they are written, it seems like they’ve been working in the DCU for a while. And their base of operations is the House of Mystery! How did this not turn into a series (or at least a mini)?! Given that this is the Sangaku character’s first appearance, I found this bit of trivia, so you know the collaborators on this issue are having some fun, especially because nothing came out after this issue regarding the character. Oh well.

Renee is reverting to type, unable to cope with killing the young girl from the previous issue (and I don’t blame her!), but it’s the way she taunts Black Adam, knowing what he could do to her — that she wants him to do it — that is heartbreaking. I’m glad that they’re showing the consequences of Renee’s actions, i.e., she isn’t instantly over it. But how long will this continue to haunt her?

I love that Ralph is the detective that Detective Chimp seeks out regarding the Helmet of Fate, a “locked-room mystery with a severe touch of the weird”. It adds a dimension to Ralph that I don’t know has ever been explored, but I’m also not well read on the Elongated Man’s adventures. Unfortunately, we do find out that Detective Chimp is a member of the Republican National Party.

Booster’s funeral provides us with some characters rarely, or only just, seen, as far as I know. In fact, while I recognized two, I had to look them up. Of note are Beefeater, with his punctuated “oi”s, and Odd Man, who first appeared in Detective Comics #487 in a story I read for the first time only a few month’s ago (at the time of this writing).

Finally, we get to see Shadowpact, which is a group that I love, even if the series wasn’t all that great. But we do get a great moment at the end of this issue when Ralph walks off with the Helmet of Fate after its conversation with him, and Enchantress reveals to us that the Helmet hadn’t said anything! So, is Ralph hallucinating or is something sinister at work here (I’m guessing the latter).

So many good elements here, rife with old and now new DC history, with some plot-forwarding as well. I really enjoyed this issue.

The Origin of The Question

by Waid, Bennett, Sinclair, Napolitano, Richards, Wacker

I’ve never been a big fan of The Question. He’s a detective-like character with a pretty basic gimmick, his pseudoderm mask. Oh, and it just so happens he was trained in martial arts by Richard Dragon. Yawn. However, when they changed the Question in the Justice League Unlimited animated series into a conspiracy theorist oddball, that’s when he became interesting. Given what happens to Charlie in 52,  I think the passing of the torch to Renee was a good evolution of the concept.

52! Week Fifteen

52 15
By Johns, Morrison, Rucka, Waid, Giffen, Moll, Nguyen, Sinclair, Fletcher, Jones, Richards, Wacker. Cover by Jones and Sinclair.

52 was a weekly series published by DC Comics starting in May, 2006. Because I had my 52nd birthday in late 2020, I thought it might be interesting (fun?) to examine this series for its 15th anniversary. I plan to post once a week about each issue. To read previous posts, click the link (52!).

Synopsis

“Outshined”

Week 15, Day 1, 3, 4

Booster Gold is forced to remove his Ferris Aircraft sponsorship from his uniform. He continues to receive Past Due notices in the mail and starts drawing on the NewsTime cover photo of Supernova, complete with comical mustache and knife stabbed into the new hero’s head. Finally, in frustration with the online coverage Supernova is getting, Booster appears to pour water on his laptop.

Week 15, Day 5

A desperate Booster is looking for anything to get him into the good graces of the people of Metropolis. Skeets obliges when it announces that a nuclear submarine will crash in midtown.

In Kahndaq, Renee Montoya is removed from her jail cell to be interrogated (but she states it’s torture). When they pass by what looks like an empty cell where Charlie was, Renee becomes very concerned for her partner. But Charlie uses his binary gas to create a diversion, allowing Renee to take out her guards and free Charlie.

Clark Kent discovers that the nuclear sub is being carried by a mythical beast called a Ballostro, and he races off to get the story. Booster arrives, trying to defeat the beast, but only succeeds in causing a blackout. Supernova arrives, providing light for the nearby citizens and teleporting the Ballostro away. He stops to check on Booster while the crowd heckles Booster. Booster attacks Supernova and they fight. Skeets informs Booster that the nuclear sub is leaking radiation, and Booster uses his supersuit to raise the sub high  into the Metropolis sky, where it explodes. Supernova catches Booster and reveals that Booster is dead.

Thoughts

Another great cover image with the blood spatter and Supernova reflected in Booster’s goggles. Some of the cover text is done as if the comic book was the news document, a diagetic element I really like. The cover suggests, possibly, that Supernova is responsible for Booster’s defeat (demise?), but in a way, he really is.

Booster’s growing hatred of Supernova is comically rendered at first, then takes a darker turn when Booster assaults the new hero, and then the story as a whole takes an even darker turn when Booster apparently dies. I have to say, when I first read this issue 15 years ago, I was genuinely surprised but still skeptical because why infuse this series with so much of the character and then kill him off not yet a third of the way through? Did Supernova have something to do with this situation leading to Booster’s death? After all, his comment to Booster about not letting what the crowd was saying about him get to him, and then jabbing at him with, “Of course you aren’t. I mean … why start now, right?” This is the first time Supernova is shown to be something other than a stereotypical, altruistic superhero. His comments perhaps suggest that he has some sort of connection to Booster, or it could just be that he, like the Metropolitans, doesn’t hold Booster in high regard. I think I remember where this ends up, and while I don’t recall the details completely, it is a fun twist that possibly (I assume?) sets up Booster’s 2007 solo series (?) — I have that run of comic books but have not read them yet.

Death seems to be a theme in this issue because things do not look good for the Question. After Renee frees him from his cell, Charlie weakly tells her, “I’m … ngk … with you to the end, Renee …” — notice the emphasis. If this is indeed the beginning of the end of Charlie, I’d forgotten this start of it.

The Origin of Steel

by Waid, Bogdanove, Sinclair, Napolitano, Richards, Wacker

I still don’t know Steel’s backstory that well. I knew about his work with Amertek and the guilt he felt, but I didn’t know that he tried to commit suicide.

The bit about Luthor’s scheme to end Steel by transforming John’s skin to liquid metal makes no sense. Besides having steel for skin (paging Power Man …), what’s the downside? I sure hope there’s more to this story in 52 as we go forward. Also, in the Powers and Weapons section, apparently Steel’s hammer “whose kinetic energy increases with distance thrown”. Was that part of Steel’s transformation or always a part of his hammer? I find that an interesting part of this hero, but why move him away from his armor to this steel-skin thing? It’s not like DC didn’t already have metal men roaming about.

52! Week Ten

By Johns, Morrison, Rucka, Waid, Giffen, Batista, Palmiatti, Jadson, Sinclair, Fletcher, Cohen, Jones, Richards, and Wacker. Cover by Jones and Sinclair.

52 was a weekly series published by DC Comics starting in May, 2006. Because I had my 52nd birthday in late 2020, I thought it might be interesting (fun?) to examine this series 15 years later. I plan to post once a week about each issue. To read previous posts, click the link (52!).

Synopsis

“Stop the Press”

Week 10, Day 1: In Kahndaq, Black Adam meets with his allies and potential allies. He is interrupted by the young woman, Adrianna Tomaz (who was given to him as a gift in issue three), who is attempting to flee.

Week 10, Day 2: At the Daily Planet, Perry White reprimands Clark Kent for allowing the Daily Star to get the scoop on the newest Metropolis superhero, Supernova. Perry tells Clark that because of his poor performance over the last few months, Clark is fired. Clark then sees Supernova flying by the Daily Planet and jumps out the window. His tactic pays off because Supernova catches him, allowing Clark to interview him.

Black Adam’s palace guards release Adrianna from her overnight holding cell and she and Black Adam have a conversation. She tells him that he will “plunge this world into war”.

Week 10, Day 3: Lois chastises Clark for throwing himself into harms way for a story, the irony of which is not lost on her husband. He tells Lois that he thinks Supernova is on the level.

Week 10, Day 4: Booster Gold is feeling sore that he’s had to relocate from his penthouse condo to a three-room rental and is looking to take it out on Supernova.

Week 10, Day 6: Will Magnus visits Dr. Morrow again, and he shows Morrow an empty cocoon that Dr. Sivanna had been treating with radiation.

Thoughts

Look at the artistry on display with this Jones/Sinclair cover. The folds and wrinkles in Clark Kent’s clothing and the look of the newspapers falling around him are just spectacular.

Notice the issue title is “Stop the Press”, not “Presses”. Aside from Clark’s employment issue (which is quickly resolved), these phrases usually mean that urgent information has come to light and needs to be disseminated. So what is that information this issue? That Black Adam’s mission will fail? That Clark is not a great reporter? That Dr. Morrow is still grateful that Magnus visits him?

The opening scene with Black is interesting for a couple reasons:

  • One, he says “Shazam” but the lightning does not come. He appears to be intrigued, but what will come of this? I love how the artists drew this scene, especially the middle panel: it’s just Adam staring into the sky with some birds in the distance — its a quit moment for him before all of the drama.
  • Two, the gathering. I have to confess, while I did recognize the big guy from the Great Ten and a Rocket Red, I had to look up the others in this two-page spread. From left to right, we have: Queen Cobra (who is new, according to my internet source), Sonar (whom I thought I recognized but wasn’t sure because of the way he was drawn), Lady Zand (whom I thought at first was Blackfire), Ibis the Invincible (whom I thought was a new Sargon the Sorcerer at first), August General in Iron, Cascade (whom I did not know was from the Global Guardians), and Rocket Red. I’m sure some of the “normals” in the scene are based on people who either work at DC Comics or from the artist’s life — there’s just too many of them looking at the camera to not be more than background characters.

Clark Kent is fired for underperforming. This is just calling out what we already know — Clark, in normal circumstances, is the equivalent of an athlete who is doping. Is he even a good reporter? I’ve always disliked that Clark got his job because he cheated (writing about himself), and it seems this reliance on his super abilities has only continued over the years. Hell, he even borrows a page from Lois’ playbook by falling into the arms of a superman! (And the later scene of her chastising Clark for that act was priceless.) Oh, how the mighty have fallen!

I loved the scene between Adrianna and Black Adam with her speaking truth to power. She’s also not a bit player and not a victim. Is their argument their meet-cute?

The scene with Lois and Clark is notable not just for their conversation about what Clark did and Supernova, but also for the fact that this is the first scene with one of the Trinity since the series started and we get an update on the other two! Speaking of Supernova, we see that he apparently can teleport, flies, has destructo-vision or something (more teleportation, perhaps?), and he gets Superman’s seal of approval.

Finally, in the scene with Morrow and Magnus, the former doctor is tidying up his cell by returning some books to a shelf. One is Brave New World and the other is 1984. Given the dystopian futures in both novels, how ominous is this message? Is Morrow preparing for his role in this future (taking inspiration from the stories) or are these just his version of “light” entertainment? In the next panel, we see Frankenstein, which is more up Morrow’s alley, but what do all of these books have in common with him, his situation, or this series generally?

History of the DCU, part 9

by Jurgens, Lanning, Napolitano, Cox, Major, Berganza, Cohen, and Schaefer

This installment was a reminder of everything going on between Identity Crisis and Infinite Crisis, including Villains United, the Rogue War, the return of Hal Jordan, Day of Vengeance, the Rann-Thanagar War, the murder of Blue Beetle by Max Lord, Batman’s OMAC Project, and Wonder Woman’s execution of Max Lord. There’s also the rebirth of Jason Todd and Donna Troy, so this time in DC Comics publishing history wasn’t all about distrust, death, and destruction.