52! Week Thirty

By Johns, Morrison, Rucka, Waid, Giffen, Bennett, Jose, Baron, Balsman, Fletcher, Richards, Schaefer, Wacker, Siglain. Cover by Jones and Sinclair.

52 was a weekly series published by DC Comics starting in May, 2006. Because I had my 52nd birthday in late 2020, I thought it might be interesting (fun?) to examine this series for its 15th anniversary. I plan to post once a week about each issue. To read previous posts, click the link (52!).

Synopsis

“Dark Knight Down”

Week 30, Day 1

Nightwing and Robin search for Batman, discovering his cape and cowl, but no Bruce Wayne.

Kate Kane has her doctor friend treat Charlie at her apartment and offers to let him and Renee stay as long as they need to. Later, while Kate goes out to search for Mannheim, Renee stays with Charlie, meditating.

Robin discovers enough weapons “that could start World Wars 3, 4, and 5”. He tells Nightwing that he will talk to Bruce, and Nightwing tells Robin that he is “going back to work”.

Week 30, Day 3

In the desert, Bruce Wayne encounters a member of the Ten-Eyed Brothers and they fight. Once Bruce has defeated him, other Brothers appear, telling him as they raise their swords, “If you flinch. If you shudder. You will not survive.” “Do it,” he tells them. Later, Robin finds Bruce kneeling in the sand. Bruce tells him that the Brothers kill demons and he asked them to kill his. “It’s over,” he says. “Batman is gone.”

Week 30, Day 7

Batwoman fights and interrogates the man-beasts for Mannheim’s whereabouts, when Nightwing arrives to help. He offers to help, and Batwoman accepts.

Thoughts

I spent more time researching this cover than any other so far. It looked so clearly like an homage to a classical work of art that I had seen before, but could not recall. I even went to Comics Twitter for help! The best match I could find was a work by Italian Renaissance painter Raphael, Saint Michael Vanquishing Satan. Regardless of the inspiration, this is a beautiful cover that pulls from classical, religious imagery, with Bruce Wayne vanquishing the “demon” Batman, similar to how the Archangel Michael vanquishes the devil in Raphael’s painting, with the addition of the Eye of God (?) in the background. The image of Bruce in his costume, but without the cowl, also reminds me of when Bruce Wayne was lost in time during Final Crisis, but that would be a few years away at this point.

Seeing Batman, both in flashback and when we see Bruce Wayne, was a bit jarring, but I’m surprised, given how Batman-happy DC has been for decades, it’s taken this long to get him and other members of the Batfam into the story. But I do love the first few pages as Nightwing describes his time as Robin and how the artists portrayed the cascading craziness and events in Batman’s life, from Robin’s death, to Joker shooting Barbara, to Bane breaking Batman’s back, and the rest (though the panel showing him holding a gun to someone’s head is foreign to me…). While I enjoy a Nightwing/Robin team-up normally, I would have preferred a return to the Cult of Conner plot or more with Ralph. However, seeing Bruce Wayne declaring that Batman is gone while the sun rises behind him (signifying a cleansing, a renewal) almost makes this breach of 52 contract worthwhile.

Speaking of team-ups, again, I would normally quite enjoy Nightwing joining forces with, well, anyone, but his male gazing of Batwoman was quite cringe-worthy. I assume Rucka wrote this sequence, but I find it hard to believe that given when Dick says Batwoman is quite the eyeful and “What can I say? I have a thing for redheads.” Later, Dick is clearly ogling Batwoman’s chest. Blech.

I’ve spent far too much on the bat family here, so I will end with my appreciation of the panel showing Renee meditating with Charlie smiling in the background. The affection between these two characters is one of the highlights of this series.

The Origin of the Metal Men

By Waid, Rouleau, Sinclair, Balsam, Richards, Schaefer, Wacker, and Siglain

I’ve never been much of a Metal Men fan, but this entry taught me that Elementics is a thing in the DC Universe. Magnus’ invention of the Responsometer is one of those comic book conceits that should be a much bigger deal than it is shown to be, but then, the Metal Men have often been depicted as comedy relief, undercutting the invention.

When it comes to the Metal Men’s “powers”, Gold is described as “infinitely ductile”, but interestingly, platinum is considered the most ductile metal. Also, Tin is “remarkably malleable”, but gold is considered the most malleable metal (all according to my google search anyway). I wonder if any creators have played with these differences?

There is a reference of the Metal Men being able to “alloy themselves” — presumably to join together as a giant robot (I vaguely recall seeing this in some comic book)? I just appreciate the use of the word “alloy” in that context.

52! Week Twenty-Eight

By Johns, Morrison, Rucka, Waid, Giffen, Johnson, Jadson, Ramos, Jose, Baron, Leigh, Richards, Schaefer, Wacker, Siglain. Cover by Jones and Sinclair.

52 was a weekly series published by DC Comics starting in May, 2006. Because I had my 52nd birthday in late 2020, I thought it might be interesting (fun?) to examine this series for its 15th anniversary. I plan to post once a week about each issue. To read previous posts, click the link (52!).

Synopsis

“Beyond the Black Stump”

Week 28, Day 2

Renee and the Question have returned to Gotham to warn Batwoman of the Book of Crime prophecy involving her death.

In Australia, a Ridge-Ferrick crew arrive to escort a local village from their homes, but mechanic Johnny sics his robot with the Red Tornado’s head on the crew. The robot unleashes a tornado as it yells “52!” repeatedly. Another villager takes a sledgehammer to the robot to stop it from killing anyone. Johnny is arrested and the Red Tornado’s head is tossed into a salvage truck, still repeating “52!”.

Lobo, Starfire, Animal Man, and Adam Strange evade an attack from the Head of Ekron.

Well 28, Day 4

The group have found a hiding spot, but the Head of Ekron searches close by.

Week 28, Day 5

Batwoman defeats some thugs in a church, but is defeated by Bruno Mannheim. He threatens to devour her, but Renee and the Question arrive to help. Despite that, Mannheim escapes.

Week 28, Day 7

Adam Strange and the others plan to lay some traps for the Head of Ekron, when it appears and Adam has to improvise. They are surprised when the Head asks for help and Starfire realizes that the Head is a Green Lantern! It mentions a her that is “a destroying flame”, and the group decides they must stop the Stygian Passover from reaching Earth.

Thoughts

There’s not too much to this issue, other than forwarding a few plots, with the revelation that the Head of Ekron is a Green Lantern being a notable exception.

Is a week enough time for Renee and the Question to travel from Nanda Parbat to Gotham? Renee was in quite a hurry, so …. What does Mannheim mean that “the questions have not yet been answered”? Two panels earlier, he referred to Renee and the Question as “the Questions”, so his later comment must have a double meaning, right? What pertinent detail (answer?) about the Crime Bible prophecy have the Questions missed? This tidbit actually makes me interested in the Book of Crime.

Ridge-Ferrick makes a return appearance, but I’ll admit I had forgotten and had to look it up. I liked that Johnny used a video game (PlayStation?) controller to operate his Red Tornado robot. This scene is where the issue title comes in. A “black stump” is a land marker used in Australia, and going beyond that stump is metaphorical for being in unknown territory, so is that what the wolves at the end of the Red Tornado scene are supposed to represent?

Why does Lobo appear to be covering the Eye with his blood after biting his finger? And where does he go for the final two pages? Given Starfire’s accusation, his disappearance from the scene completely is an odd choice (or editorial failing). Adam’s tantrum amused me: “One more @$%?!$#§ twist!” Is this metafictional commentary about the plot?

The Origin of Catman

by Waid, Eaglesham, Thibert, Sinclair, Leigh, Richards, Schaefer, Wacker, and Siglain

Catman was one of my favorite characters from the run of Secret Six that this entry references (Who am I kidding? They were all great.). Is there a coloring or continuity error in the panel showing Blake with dark hair? I also like that Eaglesham drew Blake with a paunch as he approaches the lion pride in the following panel. Under Powers, where it says “uncannily stealthy”, my brain can’t help but read that as “unCATtily”, which makes no sense, but makes me chuckle.

52! Week Eleven

52 was a weekly series published by DC Comics starting in May, 2006. Because I had my 52nd birthday in late 2020, I thought it might be interesting (fun?) to examine this series 15 years later. I plan to post once a week about each issue. To read previous posts, click the link (52!).

Synopsis

“Batwoman Begins”

Week 11, Night 5: In Washington, DC, Ralph confronts some members of the Cult of Conner, who turn out to be teenagers. He then gets a call that someone has broken into his storage unit in Opal City.

Week 11, Day 6: Charlie and Renee meet with Kate Kane, who provides a lead regarding the warehouse on Kane Street: it’s being leased by Ridge-Ferrick Holding. Later, Charlie helps Renee confront an ugly truth about herself involving her murdered partner. The two break and enter the Ridge-Ferrick Holding building and are captured by Whisper A’Daire and her were-minions. Batwoman appears, taking out the lycanthropes.

Week 11, Night 7: Ralph finds the Cult of Conner symbol painted on his damaged storage unit, and he searches the boxes for what is stolen, which is revealed to be some of Sue’s clothing that the cult members have placed on a dummy.

Thoughts

This was the first issue to not include the title within the issue, so I, and everyone else apparently, used the cover phrase. Batwoman makes her bombastic debut in a four-page fighting sequence. As I mentioned last time, this issue is considered her first appearance, despite her brief appearance in the previous last issue.

Ralph is definitely sliding into the crazy because we see him attacking the Cult members, who turn out to be teenagers. His desperation is obviously mounting, but at least his realization about the cultists’ age snap him out of his fervor.

So how many times must we hear how much Kate and Renee once meant to each other? Hell, Charlie voices it here after we’ve been told over two issues by Renee. Perhaps we’re only getting the repeat in case issue 11 is someone’s first issue of 52? The more interesting thing about Charlie and Renee’s conversation was how Renee hates herself for doing the right thing by not killing her partner’s murderer. How will this get resolved for her?

Whisper A’Daire was a new character to me, but how many red-heads can Renee have a “thing” for (or for her)?

The final scene was funny and disturbing. When Ralph searches the storage unit, you see how many boxes are labeled for Sue’s hats, and there’s a box with a note from Sue telling Ralph to throw it away. Also, does Monaco have some significance to the overall story or just a generic Dibny detail? I like how the artist interspersed the panels of the cultists dressing the dummy while Ralph searched the boxes. The final two panels on the penultimate page were sublime: Ralph views a photo of better times with his wife and the overlapping panel is of a cultist sliding Ralph’s wedding ring onto the Sue dummy’s finger. It almost gave me shiver. So, are the cultists trying to help Ralph or do they have some other (sinister) purpose regarding Sue?

History of the DCU, part 10

by Jurgens, Lanning, Napolitano, Cox, Major, Berganza, Cohen, and Schaefer

The events of Infinite Crisis are summarized and ends with a revelation: instead of Jade dying in space, it was supposed to have been Donna Troy. With this revelation comes a Monitor and a To Be Continued “in the DC universe everywhere”. But were they?

Podcast 134: Retro Review: The Brave and the Bold #182

Direct Download (49:07)

Pulled from the longbox, I talk about one of my favorite issues in my collection: The Brave and the Bold #182 (cover date January 1982).

Please send your comments to longboxreview@gmail.com, chat with me @longboxreview on Twitter, and visit longboxreview.com. Please subscribe, rate, and review the show via Apple podcasts.

Thanks for listening!

Want to know more about the 1982 planetary convergence and the The Jupiter Effecthttp://mentalfloss.com/article/76906/why-some-people-thought-world-might-end-march-10-1982

RandoMonday: Batwoman #29

Here’s a comic chosen at random from my collection.

Batwoman 29

 

Batwoman #29 by Marc Andreyko (writer), Jason Masters and Jeremy Haun (artists), Guy Major (colorist), Todd Klein (letterer), Darren Shan (asst. editor), Rachel Gluckstern (editor), and Trevor McCarthy (cover)

The issue opens with a flashback to 1929 Gotham (that comes up again later, if memory serves), and then Kate sees a therapist (at the suggestion of Kate’s girlfriend, Maggie). The first meeting doesn’t go well, so Batwoman goes out into the night to work out her issues on her own. This brings her to Maggie’s workplace, where they have a conversation about why Maggie wanted Kate to seek counseling. Kate would rather talk shop, so they discuss the villain de jour, Wolf Spider. That sends Batwoman to Arkham, where she confronts Wolf Spider, but again he gets the better of her, and the issue ends with him releasing a bunch of inmates for Batwoman to deal with.

What a tough row to hoe. I did not envy this creative team coming onto this book after J. H. Williams III left. Batwoman just doesn’t seem like herself to me, in comparison to what came before. While I did find the new antagonist a little interesting, he shouldn’t have had been such a problem for Batwoman based on what I’d read before, unless what they were going for was that Batwoman was too preoccupied to be effective, but, if so, that wasn’t made clear enough to me. Then there’s the art. What do you do when Williams III’s work on the series was, I think, universally loved and you have to follow that? I think Masters and Haun had a Herculean task, and they just fell short. I did like the McCarthy cover–it was evocative of Williams III’s covers–but I really hate it when the cover states something about the story inside that isn’t at all what we read. All in all, this team just wasn’t enough to keep me with the book.