52! Week Seventeen

By Johns, Morrison, Rucka, Waid, Giffen, Batista, Jose, Jadson, Baron, Balsman, Jones, Richards, Wacker. Cover by Jones and Sinclair.

52 was a weekly series published by DC Comics starting in May, 2006. Because I had my 52nd birthday in late 2020, I thought it might be interesting (fun?) to examine this series for its 15th anniversary. I plan to post once a week about each issue. To read previous posts, click the link (52!).

Synopsis

“Last of the Czarnians”

Week 17, Day 1

Luthor and his home-grown “Justice League” watch footage of the group foiling a terrorist attack by Kobra. Luthor is pleased at the coverage but Eliza, the speedster, complains about always being in super-speed mode and needing a drug, the Sharp, to slow herself down.

Week 17, Day 2

Adam Strange is piloting his ship, the Warbird, through a dense asteroid field while Animal Man is helping copilot (“Left!”) and Starfire is outside, blasting the larger rocks into smaller pieces. Strange admits to Buddy that he’s spent a week with Starfire and “there’s just … something I can’t stand about that whole stuck-up alien princess act”.

Week 17, Night 4

Strange delivers a dire message to his crew: they are running out of breathable air and the ship’s sub-light engine won’t get them home for a few decades. He tells them, “This was only ever a lifeboat …”. Later, while Strange sleeps, Starfire and Animal Man talk about family and overcoming the existential dread they’re in. It is then that Devilance, the Pursuer, arrives, ripping the blade from the being’s power staff off of the Warbird. Animal Man notices something outside with Devilance, and Starfire whispers trepidatiously, “X’Hal. Lobo”.

Starfire goes out to negotiate with Lobo, and Strange explains to Buddy that Lobo is a “superhuman bounty hunter” and the last of his race because he “killed every single living thing on his home planet, for fun”. But Starfire hires Lobo to lead them through the asteroid field with promise of payment, but Starfire also thinks Lobo needs their help.

Week 17, Day 7

Red Tornado’s torso is discovered in Australia and he keeps repeating “52”.

Thoughts

Given this issue’s cover, has Lobo always been one of those characters who broke the fourth wall, like Giffen’s Ambush Bug? Here, Lobo sits atop the Trinity’s accoutrement from issue one, telling us, “Only 35 more to go”, so this suggests yes? I think I need to go flip through my L.E.G.I.O.N. books for a comparison….

All is not well within Luthor’s altered humans, but he seems unperturbed by Eliza’s reaction, with his focus only on Natasha really. Is this all to get under (literally and figuratively) John Henry Irons’ skin? When will Natasha see the light (ironic considering her powerset) regarding her “benefactor”? I do find Eliza’s revelation about how her superspeed is affecting her. Is that something that was ever touched on in Flash comic books?

I loved the scenes between Starfire and Animal Man as they pondered their situation, but it seems like the collaborators are slyly pushing these two together in a romantic way, but so far, Buddy is completely focused on his wife and family (and I hope it stays that way). I thought there was a missed opportunity when Strange is telling them how dire their situation really is — perhaps that scene should have come before Buddy and Starfire’s conversation (with the appropriate tension ratcheted up) or allowing the gravity of the announcement to sink in without being cut short by Devilance’s arrival, but this is just Monday morning comic book plotting on my part.

Speaking of Starfire, I don’t recall how her character was portrayed elsewhere in the DCU at this time, but it seems like the series collaborators have fundamentally shifted her personality to fit Strange’s description of her, though her empathetic nature from her early New Teen Titans days is displayed in the scene with Buddy. It’s like, generally, they have taken her emotionality and turned it more towards anger or frustration over any other emotion.

The Origin of Lobo

by Waid, Giffen, Jadson, Hories, Napolitano, Richards, Wacker

It’s always nice to see Keith Giffen pencils, and that Lobo is one of his co-creations makes this origin even more delightful. Lobo has never been on the DC characters that I enjoyed. I don’t care for crass for crass’ sake, and this period when he “found religion” was probably the only time I found the character interesting. That and his adoration of those space dolphins.

Perhaps this has played up somewhere that I haven’t read, but reading this origin it occurs to me that Lobo is the anti-Superman: last of his race and super-powerful but without the morality that Clark Kent grew up with.

52! Week Sixteen

By Johns, Morrison, Rucka, Waid, Giffen, Bennett, Jose, Baron, Brosseau, Jones, Richards, Wacker. Cover by Jones and Sinclair.

52 was a weekly series published by DC Comics starting in May, 2006. Because I had my 52nd birthday in late 2020, I thought it might be interesting (fun?) to examine this series for its 15th anniversary. I plan to post once a week about each issue. To read previous posts, click the link (52!).

Synopsis

“Uhebbuki”

Week 16, Day 1

Some Kahndaq children make a garden as a present to Isis, and Black Adam takes the opportunity to ask Isis to be his wife.

Week 16, Day 6

Renee and Charlie are hiding out in a shipping container, and Renee realizes that Intergang are going to “hit the wedding”.

Meanwhile, while Isis is getting dressed for her wedding, Mary Marvel expresses her concern over Black Adam. Mary tells Isis that while Captain Marvel thinks that Black Adam has changed and Isis helping with that transformation, “He seems like the same old Black Adam to me.”

While Black Adam fusses over his hairline and the bloodstain on his cape, Captain Marvel tells Adam, “I’ve never seen you nervous.” He also expresses surprise that Adam wanted the Marvel Family at Adam’s wedding. Adam tells Marvel, “My family … are long dead. I thought … you have made your family Marvel family … perhaps it’s not too late to make mine.”

Renee and the Question look into the gathered wedding throng for a suicide bomber while Captain Marvel Jr. works at crowd control. The ceremony begins and Renee finally spots the bomber, a young girl. The Question tells Renee to “take the shot!”, but Renee hesitates because she can’t “shoot a kid”. However, she does before the girl can set off the bomb. That evening, Isis and Adam start their lives together as husband and wife while a couple Kahndaqians clean up the dead girl’s blood.

Week 16, Day 7

Adam Strange, Starfire, and Animal Man finally escape the alien planet, heading home.

Thoughts

The title, I believe, is Arabic for “I love you” (though spelled differently than I found). The art in this issue is particularly good, starting with the cover. There is a poster of Black Adam and Isis behind Renee and the Question. The colors are deftly displayed, with bright sunlight bathing the poster but darker shades over the foreground characters. This is a perfect encapsulation of the issue: the beauty of the wedding and the tragedy of the bomber.

The collaborators working on this issue did a fantastic job depicting the dichotomy of the fantastic vs the tragedy. At the wedding, one page shows the sun peaking just above the palace with the crowd below — among the many celebrants is the lone bomber. After the ceremony is over, there is a panel of the dead girl’s blood reflecting the happy couple floating above. Later still, when Isis and Adam head into their nuptial chamber, two men clean the blood from the street. Perhaps worst of all is that the superpowered beings are completely oblivious to the calamity that literally happened under their noses, not unlike gods unconcerned with the mere mortals that celebrate them (a portent perhaps?).

Of particular note regarding the artistry is the near-splash page showing Isis in her wedding garb standing next to Mary Marvel. She is beautiful and the angle showing this scene only accentuates Isis’ majesty (and height!). I already mentioned the other near-splash page outside the palace, and later, there’s a two-page spread showing the ceremony from above the participants, high above the crowd, that is lovely as well, though undercut by the panels atop the spread involving the bomber and Renee — this sequence and placement only heightens the tension of the scene. This is probably my favorite issue so far from a comic book storytelling/construction standpoint.

From a character perspective, the focus on Black Adam’s emerging happiness in his relationship and his comments to Captain Marvel and later Isis about his previous family and the tragedy he’s endured for centuries will only make his inevitable descent all the more regrettable. I have a softspot for redemption stories and having first read Black Adam’s involvement in JSA, followed by this, I was really into his journey. But corporate comic books being what they are, the demands of the status quo must be adhered to, and Adam’s story can only end badly — more’s the pity.

The Origin of Black Adam

by Waid, Jones, Sinclair, Napolitano, Wacker, Richards

It occurs to me reading this synopsis that Black Adam and Sinestro both started as “heroes” but took their respective missions to extremes. However, possessing such power and not dealing with injustices head on as they do runs contrary to our very human (and flawed) desire to make things “right”. (And is probably the main reason I like characters like Black Adam, at least this incarnation of him.) I would like to read more stories with characters like this and how they deal with the awesome responsibility that comes with such power.

52! Week Nine

By Johns, Morrison, Rucka, Waid, Giffen, Moll, Nguyen, Baron, Fletcher, Jones, Richards, and Wacker. Cover by Jones and Sinclair.

52 was a weekly series published by DC Comics starting in May, 2006. Because I had my 52nd birthday in late 2020, I thought it might be interesting (fun?) to examine this series 15 years later. I plan to post once a week about each issue. To read previous posts, click the link (52!).

Synopsis

“Dream of America”

Week 9, Day 1: In Metropolis, Lex Luthor and guests gather for a 4th of July celebration where he talks again about his dream “where every man becomes a super man”. Steel crashes the party demanding to know where his niece is. Steel threatens Lex, and Natasha arrives, along with some new friends. In short order, Natasha assaults her Uncle, possessing strength and resilience thanks to Lex’s genetic manipulation. The fight between the family members ends with her punching Steel over buildings into the harbor.

Animal Man awakens on that alien world, a captive to Devilance, the Pursuer. The giant explains that he has captured Buddy, Adam Strange, and Starfire because

You saw beyond the veil, beyond the two score and twelve walls of heaven. That knowledge belongs to the gods alone!

Starfire awakens too, and she and Buddy devise a hasty escape plan, helped by a distraction from Adam. They leave with Devilance’s power staff. Unseen by them, Devilance watches them….

Week 9, Night 1: The 4th of July celebration continues that evening in Gotham City. Vic, or Charlie to his friends, visits Renee Montoya, revealing to her that he is the Question. Outside, Vic tells Renee that Gotham is being targeted by Intergang while a red-haired woman in a bat costume listens from a nearby rooftop.

Thoughts

Ugh, the Irons’ family melodrama continues. I know this is comics and soap opera-esque events occur, but Steel threatening to kill Lex so publicly and Natasha hitting her uncle so hard that he spits out blood is just so over the top, even if it does heighten the tension between them. Regardless, because it involves Lex Luthor, you can’t help but think that along with the genetic alterations that perhaps he is also controlling his experiments in some way (both Luthor and Steel implied it in different issues). Besides the same argument John and Natasha continue to have, about the only new plot point here is that Natasha — whom we last saw hooked up to Luthor’s machine looking frightened and vulnerable — is now part of a group of superpowered people wearing purple and green suits. However, I did like the two-page spread of images on pages 6 and 7 showing Natasha punching John out a window and as he fell several floors to the street below. Also, we see fireworks going off in the background, and one of them explode in a shape similar to the light effect around Natasha’s fists — nice touch there.

I have discovered that Devilance, the Pursuer, is indeed a Jack Kirby character first (and last?) seen in Forever People #11 and is one of Darkseid’s minions. Given the connection to Darkseid and his to Intergang, that overall plot is becoming more interesting. I have to wonder if there is any significance to the “walls of heaven” Devilance mentions — is it a reference to Revelation 21:12, or is it just one of those phrases that give Devilance’s words more importance than is actually there, beyond 52 (2 score and 12 = 52)? One quibble with this scene: Animal Man mentions that Devilance had them captured for days and he is shown bound and dangling upside down. How did they relieve themselves in that position? Or did Devilance allow them potty breaks and them truss them back up? And why dangle Animal Man and Starfire in this manner and not Adam Strange? Ahh, but who am I to question the whims of (demi)gods? I like the half-page panel setting this scene: Devilance is squatting over a device that appears to be a cage he will presumably place his captives, along with some other machinery, but it’s his size that is of note (apparently he grew since his appearance in Forever People) and the Kirby costume with all the glory that is short sleeves and shorts! But why change the white part of his costume to purple in an issue where there’s already a lot of “bad guy” purple?

The number 52 makes another appearance in the ballgame score (5 and 2), but I think the collaborators missed an opportunity to place the game in the ninth inning (this being the ninth issue) instead of the seventh (unless there’s a significance to the number 7 that I’m not seeing…). Also making its first(?) appearance is Molly’s Bar, which will be featured in Detective Comics #859 a few years later and plays a role in Kate Kane’s story — I like to think the writer or artist remembered this scene and included the bar in the Detective Comics issue. Speaking of Kate Kane, here we see Batwoman in her , even though some sources indicate that issue 11 is her first. I imagine that #11 features Batwoman in a speaking/action role and this “cameo” is not significant enough to be considered her first appearance. This is where I shrug and say, “Ehh. Comics.”

History of the DCU, part 8

by Jurgens, Lanning, Napolitano, Cox, Major, Berganza, Cohen, and Schaefer

This part covers what I consider one of, if not THE, lowest points in DC Comics history: Identity Crisis. While the story was not wholly a bad one, the “event”, much like is stated in this History, crossed a line that was perhaps unnecessary and tarnished more than a few characters if you also include what happened in Infinite Crisis (which is mentioned at the end). It seems my assessment of Identity Crisis was shared by others, something I was not aware of at the time of publication. Fortunately, things would improve, as they always do.

52! Week Eight

By Johns, Morrison, Rucka, Waid, Giffen, Barrows, Stull, Sinclair, Lanham, Jones, Richards, and Wacker. Cover by Jones and Sinclair.

52 was a weekly series published by DC Comics starting in May, 2006. Because I had my 52nd birthday in late 2020, I thought it might be interesting (fun?) to examine this series 15 years later. I plan to post once a week about each issue. To read previous posts, click the link (52!).

Synopsis

“Thief”

Week 8, Night 1: At Steelworks, Natasha Irons is busy building her armor, eliciting a proud smile from her uncle John. Later, just as John is listening to a news report about Luthor’s metagene program, his chest transforms into metal.

In Star City, Green Arrow stops a store owner from chasing down a thief (and giving us the elicit use of the issue’s title and on the same page as the title!). Nearby, Green Arrow explains to Ralph Dibny that he thought the thief was the “guy charging thirty bucks for disposable diapers in a disaster zone” — typical Ollie! Ollie is guilt-ridden for not being able to keep his chosen city safe during the metahuman war. Ralph also tells Ollie that he lost his taste for gingold last year.

But Ralph is there to ask for Green Arrow’s help to investigate the Cult of Connor location in Star City. Ralph tells GA that the Cult believes that the dead can be resurrected.

Week 8, Day 3: John Irons visits STAR Labs seeking help with his condition. Based on the analysis, the metal in his body is stainless steel, “Lex Luthor’s idea of a joke”. John theorizes that when Luthor visited STAR Labs (in issue three), he must have “injected me with something … that either triggered my metagene … or infected me with one…”.

Week 8, Day 3 – 5: A new superhero is in town saving people and Booster is not happy about it. He asks reporter Clark Kent is he knows who the “new mystery hero” is. Clark tells him no, but that he will find out.

At Steelworks, Natasha is asked to relay a message to John about the “Luthor metagene strain” that is rewriting her uncle’s DNA. She then sees a LexCorp Everyman Project flyer poking out of John’s briefcase.

Week 8, Night 5: That night, Natasha is working on her armor when she knocks part of the suit to the floor, breaking it. John arrives to see if his niece is ok and she confronts him about what she discovered earlier, calling him a liar.

Adam Strange and Animal Man find Starfire in a net and realize too late that she was bait and they also become trapped and then held in a giant’s hand.

Week 8, Day 7: In Metropolis, Lex Luthor arrives at one of his properties with hundreds of people waiting to be chosen for his Everyone Project. He spots Natasha Irons in the crowd and grants her an opportunity.

Week 8, Night 7: That night, Natasha is hooked up to the DNA resequencing equipment. A technician asks Luthor which resequencing string to use and Luthor says, “The whole package…”.

Thoughts

First, yet another noteworthy cover by Jones and Sinclair. I love the inspirational tone of the flyer-like cover with the “Be Your Own HERO” tag-line and the generic superheroes flying under a blue sky, all undermined by Lex Luthor’s face in the red zone, almost like Hades in the underworld. I’m surprised they didn’t use something like this for the flyer that appears in the issue, but obviously Luthor wouldn’t use John Henry Irons’ likeness, but I could totally see him using his own.

Given the title of the issue, “Thief”, what is stolen? The obvious first choice is the person stealing the groceries or, flipped, the store owner trying to make a huge profit during a crisis. Also stolen is John Iron’s choice about being a metahuman. The glory and fame could be considered by Booster Gold to be stolen by this newcomer hero. Luthor is perhaps stealing the hopes and dreams of those he is transforming. Too on the nose or just enough to be interesting? I think I prefer story titles that keep me intrigued as to the meaning (and forcing me to look up the reference).

Speaking of Luthor, his direct admission to his assistant Mercy that the candidates for the Everyman Project are his slaves is just too movie serial villainesque. Where’s the subtlety of character? I don’t find this overt Luthor to be interesting at all. I did, however, like the sneer on Mercy’s face when Luthor called the nearby throng his slaves — such contempt for the common man!

The scene where Ralph is explaining what the Cult of Connor is about to Green Arrow was good. The way the artists drew that final panel on the page has Ralph looking at Ollie wide eyed in the realization that Ollie was recently brought back from the dead — the investigation into why the cultists defaced Sue’s grave has now just turned for Ralph, I think.

We have continuity glitch regarding the timeline. When John Irons visits STAR Labs, the caption reads “Day 3”, but the establishing panel clearly shows this taking place at night, so it should be Night 2 because the next scene is Day 3. A minor quibble.

Supernova! While not identified as such in this issue, I remember being very excited that this character had returned, but then I realized that I was thinking of Superman’s alternate identity of Nova from World’s Finest #178 that I probably read in the DC Special Series #23 digest. Regardless, I was convinced that DC was playing with that concept again and this Supernova was Superman, albeit a changed one. After all, if Superman could rebrand himself as a superpowerless hero all those years ago, why not again?

I’m finding the petulant teenager bit of Natasha to more and more grating. I don’t think John’s lesson in hard work and humility is working on his niece. I do like that in the LexCorp flyer she finds in John’s briefcase the superheroes are colored in green and purple — just like Luthor’s old battle armor. Nice touch there, Mr. Sinclair!

Another nice artistic touch is the final page showing Natasha connected to the metagene equipment because the arm and leg wires (for lack of a better word) are shaped similar to a DNA helix.

Two months in and I find myself more interested in the Ralph, Booster (as it pertains to Rip Hunter), and Black Adam stories more so than the Steel, lost in space trio, and Renee stories. It’ll be interesting to see how that evolves over time. Given the length of the series and how many plots and characters need to be juggled every few issues, I’m not surprised at my reaction, however.

History of the DCU, part 7

by Jurgens, Lanning, Napolitano, Cox, Major, Berganza, Cohen, and Schaefer

It is noted that post-Zero Hour, the timeline was reconstructed and that “previous inconsistencies and anomalies were corrected”, but how accurate is that statement at that time in DC’s publication history? The rest is a recap of late 90s and early 2000s DC Comics history, focusing a lot on the teams of that era (it pleases me that Titans characters are spotlighted multiple times in various teams).

One thing of note that is not familiar to me is the reference to Hourman being rescued by the JSA right before he died. I am not at all familiar with this event, and considering that Hourman is one of my favorite JSAers, I need to know more! So, good job (finally) History of the DCU for introducing me to something I didn’t know already.

This segment ends with a reference to Sue’s death, so I guess the next issue’s installment will be the last or nearly so? Will this backup series be replaced with something else, or will the main story in 52 take up more pages? Tune in next week, dear reader, as I find out!

52! Week Seven

By Johns, Morrison, Rucka, Waid, Giffen, Lashley, Draxhall, Sinclair, Lanham, Jones, Richards, and Wacker. Cover by Jones and Sinclair.

52 was a weekly series published by DC Comics starting in May, 2006. Because I had my 52nd birthday in late 2020, I thought it might be interesting (fun?) to examine this series 15 years later. I plan to post once a week about each issue. To read previous posts, click the link (52!).

Synopsis

“Going Down”

On that alien planet, Adam Strange is still repairing the Thanagarian warbird so he, Starfire, and Animal Man can go home. However, his companions are being no help at all because they’re eating fruit that is messing with their minds. Strange squabbles with Starfire, goading her into looking for a mysterious power source they detected.

Week 7, Day 2. It’s been weeks since Renee has seen The Question, but she still ponders the clues she has and discovers one literally under her nose.

Week 7, Day 3. Ralph visits Booster to talk to him about the Cult of Connor, but Booster is distracted by a threat over the phone and an impending future event he is supposed to stop. It’s then that Ralph realizes that Booster could have known about Sue’s murder and this makes Ralph. Very. Upset.

Renee crashes a soiree at the Kane estate to ask Kate about 520 Kane Street. After punching Renee and some discussion, Kate agrees to help her former lover.

In Metropolis, Booster arrives at a LexCorp building and is confronted by the actor he hired to play a villain previously. The actor spills the beans in front of the crowd and press. Ralph piles on, asking Booster, “How many other of these … ‘death-defying rescues’ have you staged to improve your marketability?”

On that alien world, Starfire appears to have found that power source. As she looks up at it, we see a giant behind her reaching for its staff.

Thoughts

First, another noteworthy cover by Jones and Sinclair. I love the contrasting qualities of the red border and the black and white, printed-in-a-tabloid “photo” of Booster attempting to shield himself from the camera with the word EXPOSED! across his image. Just lovely.

Interesting that the first sequence on the alien world has no timestamp (it did in issue 5), but I also like that because time seems to relative when it comes to isolation, not to mention when the day appears to be as long as weeks. I wonder if the creative team had been thinking of that? About this scene in particular, I didn’t care for the exposition from Adam to the two people who already know this information! They may just as well have had Strange say, “As you know…”. But then, we get this exchange between Strange and Starfire about the fruit she and Buddy are eating where she almost laments that Strange doesn’t “know how delicious it is” because he won’t eat any, and a little later, she echoes that thought: “…you won’t eat any…”. It’s not just that the fruit is intoxicating, it’s possibly a way to trap prey? Is it being used by the mysterious predator discussed in issue 5?

In Renee’s scene, we see a shot of her cast upon which she has drawn many question marks. Now, we have already seen her as obsessive, but to mark her arm in that way? Is this merely hinting at the future (she is becoming the question) or just that the artist thought it would be funny to draw all those question marks? I am tired of seeing Renee pose with that alien looking gun. I have a gun and I don’t pick it up as I’m thinking through something. But to each their own, I guess.

I loved the scene between Ralph and Booster. The artists drew Ralph’s face in shadows and almost always looking down, suggesting the grief that consumes him. Besides that, when Ralph realizes that “this whole era is history” to Booster, he shoves Booster into the wall, screaming at him, “why the hell didn’t you warn me my wife was going to die?” Booster tells Ralph that he was just as surprised about Sue’s death, saying, “I didn’t learn every little detail…” (about the past), Ralph responds through gritted teeth, Little. DETAIL?” I love how the creative team took these two sort of joke characters and are giving them some real-life drama to deal with.

In regards to the Kate and Renee scene, it almost feels like I missed something because this doesn’t seem like the Kate Kane I am familiar with, but that’s probably more to do with my lack of familiarity or were there changes in the future continuity of her character? I seem to be bumping against this idea of Kate as a debutante and former military. Not to say that a person can’t be both, but the difference seems too far? I guess I’ll find out as we move along.

I knew that actor would be bad news for Booster, but I expected that plot point to be more drawn out. And what does the actor expect to get out of this exposure? Despite what he says, him coming clean about his involvement in this scam doesn’t exonerate him legally, but I guess if you sway public opinion enough…? And then to have Ralph kick Booster while he’s down is a great counterpoint to the earlier scene between them.

In the final, wordless scene with Starfire, we see what looks like a Kirbyesque (or is it an actual Kirby character?) giant. I have no idea who this is, so I’m looking forward to the next scene and to see if this giant plays a larger role in the story.

Finally, the art this issue (specifically the inking), for the first time, is not to my liking, coming across as uneven comparatively in the different scenes. So far, this series has been superbly consistent, but this really highlights how well the team has been doing on this WEEKLY series. If it normally takes weeks to produce a comic book that is printed monthly, I can only imagine the chaos that was this book. It’s really a testament to all the creatives and editors who worked on it.

History of the DCU, part 6

by Jurgens, Rapmund, Major, Cox, Leigh, Berganza, Cohen, and Schaefer

The events of Zero Hour get the spotlight here. One item that piqued my interest was the comment by the Orb that Hal Jordan, as Parallax, in his desire to erase the “destruction of Coast City and other events that he didn’t like”,

He would have created multiple universes with multiple Earths, unwittingly restoring much of what existed before the Crisis.

Ok. First, I don’t recall that aspect of Zero Hour (and now I want to go read that series again). Second, the way that sentence is written, it implies that restoring the multiverse was not a good thing. Now, I know DC editorial thought so, but in universe, what is the meaning behind this? Plus, given what is going on in Death Metal and Perpetua and the omniverse, this comment takes on an almost prophetic tone. Could this have inspired Scott Snyder??? ;)

It’s interesting to me now that this History of the DCU is focusing on all the crises because it’s highlighting the transitory nature of the DCU, and perhaps not so positively. I mean, I read all of those crisis books as they were being published, and I was excited about them and what these changes could mean, but looking back on it in this way seems almost to devalue the characters and the “universe” that DC Comics had been building for decades.