52! Week Thirty-Seven

By Johns, Morrison, Rucka, Waid, Giffen, Olliffe, Geraci, SInclair, Lanham, Richards, Schaefer, and Siglain. Cover by Jones and Sinclair.

52 was a weekly series published by DC Comics starting in May, 2006. Because I had my 52nd birthday in late 2020, I thought it might be interesting (fun?) to examine this series for its 15th anniversary. I plan to post once a week about each issue. To read previous posts, click the link (52!).

Synopsis

“Secret Identities”

Week 37, Day 1

Skeets threatens the bottled city of Kandor demanding that Rip Hunter and Supernova surrender themselves to it. Rip tells Supernova to stall Skeets while he reassembles the circuitry of Supernova’s costume. Supernova exits Kandor and he is revealed to be Booster Gold. Rip tells Booster to tell Skeets everything to buy them more time.

Booster tells Skeets, “I’ve known what’s up with you for weeks now”. When Booster visited Rip’s lab, Hunter appeared and told Booster the truth about Skeets and they formulated a plan: Booster would gather weapons after faking his death and assuming the role of Supernova, whose abilities were the result of the Atom’s size-changing belt and the circuitry of the Phantom Zone projector in Superman’s Fortress of Solitude.

Rip joins Booster in the Fortress and activates the projector on Skeets. However, as Booster observes, Skeets has “eaten the Phantom Zone…!” Rip makes a hasty retreat with Booster, but Skeets follows.

Week 37, Day 4

While Green Lantern helps repair Star City’s electrical grid, Oliver Queen talks with Black Canary about Ralph Dibny, telling her that he’s unstable in trying to bring back his dead wife.

Week 37, Day 5

Lobo presides over Animal Man’s funeral, and then Adam Strange and Starfire head back to Earth. However, Animal Man wakes up, calling out to his comrades, “Don’t leave me!!!” Then the aliens that gave Buddy his powers appear saying, “And so it begins.”

Thoughts

What were they thinking, spoiling the reveal on page 4 on the cover?! That was quite the reveal, though, which can only be overshadowed by the upcoming one regarding Skeets. I like the whole bit about Booster’s dead body being from his future — I wonder if that was ever dealt with in any way in his solo series that followed this?

This issue, with the exception of the Star City interlude, was chock full of revelations: 1) Animal Man didn’t actually die and 2) his alien benefactors appear with an ominous sounding proclamation. Could you imagine the dread Buddy is feeling in that moment when he awakens, thinking he was abandoned light years from home and no way to get there? Alas, he has no time to ponder his predicament. Is there a connection to these aliens and what Rip Hunter is dealing with regarding the timeline and what Skeets has become?

But wait! They’re not done with us yet! This issue also features Dan DiDio’s DC Nation column that proclaims “This column is a clue!” under the 52 banner. I remember the message boards being abuzz about the secret code that, as I recall, I found out some months after this. I’ve never been one to try and figure out stuff like this*, content to let others with more time and inclination to do the legwork. What I don’t recall is if I found out the reveal at the end of the series first or this secret message — I think it was the former. I even went on one of those boards and proclaimed my appreciation for the new paradigm, something I don’t think I repeated.

In case you’re curious, the message was “The secret of fifty-two is that the multiverse still exists.”

The Origin of Firestorm

By Waid, Igle, Champagne, Sinclair, Lanham, Richards, Schaefer, and Siglain

Was fusing with multiple people a new thing with Jason as Firestorm? I only read a few appearances of this version of the character, and I know his series was a favorite of one of my friends, but I’ve yet to read it. I liked this time at DC Comics when the successors to these characters were younger and not another white dude (like Blue Beetle and not like Kyle Green Lantern).

Life Drawn, Part 2 – Twilight Man: Rod Serling and the Birth of Television

Direct Download (1:08:02)

In Part 2 of this discussion, George from Meanwhile at the Podcast and I talk about Twilight Man: Rod Serling and the Birth of Television by Koren Shadmi.

Join us for Part 3 of the discussion where we talk about Marilyn’s Monsters.

Please send your comments to longboxreview@gmail.com, chat with me @longboxreview on Twitter, or visit longboxreview.com.

Links:

Thanks for listening!

52! Week Thirty-Six

By Johns, Morrison, Rucka, Waid, Giffen, Igle, Champagne, Baron, Brosseau, Richards, Schaefer, and Siglain. Cover by Jones and Sinclair.

52 was a weekly series published by DC Comics starting in May, 2006. Because I had my 52nd birthday in late 2020, I thought it might be interesting (fun?) to examine this series for its 15th anniversary. I plan to post once a week about each issue. To read previous posts, click the link (52!).

Synopsis

“How to Win a War in Space”

Week 36, Day 3

Lobo delivers Starfire and Animal Man to Lady Styx and asks for his bounty. Styx tells him, through interpreter Fishy, that there is no bounty and they are all to be broken down into bio-mass “to serve her needs”.

Styx’s minions attack the trio, incapacitating Starfire. Fishy tells Lobo the many insults Lady Styx is hurling his way, causing the Czarnian to abandon his pacifist ways. As Lobo charges Styx, she eviscerates him. Animal Man calls for Adam Strange, who fires from outside, allowing the Head of Ekron to come through. Lobo grabs Styx and throws her at Ekron, who then flies into a sun eater.

During the battle, Animal Man was shot with necro-toxin and is becoming delirious, and then he goes quiet. At the same time on Earth, Ellen Baker seems to sense it and starts to cry.

Week 36, Day 5

Charlie condition worsens, despite Tot’s best efforts to send healing flowers from Nanda Parbat, which gives Renee an idea.

Week 36, Day 6

Renee prepares to take Charlie to Nanda Parbat. Kate tells her that this “looks an awful lot like denial”. Renee tells her it’s “defiance”. Kate implores Renee to stay with her, to fight Mannheim, but Renee tells Kate that Charlie saved her, so she will take him back to Nanda Parbat in the hopes that it will save him or she’ll die trying.

In Kahndaq, Osiris reads a newspaper article that calls him a murderer, and he tells Sobek that if he were to go back to Titans Tower, they would have to arrest him. “No matter what we ever do, the entire world will always hate us.” Sobek offers Osiris an apple, telling him, “I don’t hate you.”

Week 36, Day 7

Despite the many artifacts that Supernova has brought Rip Hunter, the Time Master still can’t power the chronosphere. He also worries that Skeets will find them before they are ready. Supernova tells him, “For now we’re safe.” But then we see Skeets hovering over the Bottle City of Kandor in Superman’s Fortress.

Thoughts

I’ll be honest, I thought given the last issue’s events regarding Lobo and the others, I thought he was betraying them. Instead, we get the classic fake prisoner routine. And who didn’t see Lobo resorting to his old ways?! It was only a matter of time. I thought the “death” of Buddy was poignant only because of the follow-up scene with his wife and kids. The artists did a great job of conveying that loss and pain in just a few panels.

Again, based on last issue, I genuinely thought Charlie had died, so I was surprised to see him still kicking. After having read Batwoman comics that came after this, this Kate Kane seems like another person altogether, but maybe this experience led her to be the character I later read?

So we finally get to see Rip Hunter and he’s not in great shape. He appears to be suffering from some sort of chronal aphasia. I loved the way the scene starts to pull the “camera” back from the room Rip and Supernova are in, to just outside, to the building, even farther out until we see that they are in the Bottle City of Kandor, with Skeets hovering nearby! Such a great bit of storytelling with the reveals and foreboding menace.

Finally, I’m curious if anyone bought the 52 Series 1 action figures advertised in this issue? I think I would have liked to get the Supernova figure.

The Origin of Power Girl

By Waid, Hughes, Fletcher, Richards, Schaefer, and Siglain

Aside from the lovely Adam Hughes artwork, there wasn’t much that was interesting about this entry. But was the two infant Kryptonians rocketed to Earth something that was part of Power Girl’s original origin or is this a retcon? Her arriving later as an older person mirrors that of Supergirl’s retconned origin from a few year’s prior to this issue, so which came first? It seems really odd that DC would borrow from itself for what is essentially the same character.

And why did DC decide to keep Power Girl around AND have Supergirl? I see more opportunities for interesting stories about her, the cousin from another universe, as she interacts with Superman, but without the hang-up of living up to his legacy (she already did that with her cousin).

52! Week Thirty-Five

By Johns, Morrison, Rucka, Waid, Giffen, Jimenez, Jurgens, Lanning, Rapmund, Hi-Fi, Lanham, Richards, Schaefer, and Siglain. Cover by Jones and Sinclair.

52 was a weekly series published by DC Comics starting in May, 2006. Because I had my 52nd birthday in late 2020, I thought it might be interesting (fun?) to examine this series for its 15th anniversary. I plan to post once a week about each issue. To read previous posts, click the link (52!).

Synopsis

“Rain of the Supermen”

Week 35, Day 1, New Year’s Day, 12:00:01 A.M.

Everyman Project recipients fall from the sky in downtown Metropolis. A gas main erupts, trapping the nearby citizens, but Supernova arrives, transporting them to the city limits. Infinity, Inc. helps out civilians elsewhere, and Natasha realizes her uncle was right.

Week 35, Day 2

Superheroes from various teams help transport the injured to Saint Camillus Hospital. Plastic Man reunites with his son, Offspring, who saved over 20 civilians. John Irons tells Beast Boy to “get the Titans together” so they can find out why Luthor took all those powers away.

Week 35, Day 3

Lex Luthor tells the Infinity, Inc. members, save Everyman, that they are clean of the “errant gene-sequence” that “caused so many participants to spontaneously reject their enhancements”. Later, Natasha confides in Skyman what her uncle told her, and wants his help to find proof against Luthor. Skyman tells her he will help and that he loves her.

Week 35, Day 6

Adam Strange confronts Lobo who tells the others that they don’t need to figure out how to fight Lady Styx and her armada because he’s taking them to her.

Thoughts

I simultaneously love and hate the issue title, but given Jurgens’ involvement with this issue and his work on Reign of the Supermen, I’m leaning towards love.

Those opening pages by Jimenez and gorgeous and grotesque. The tragedy unfolds as if in slow motion in the way the panels and action are shown on page 1, and then the enormity of the moment hits you with the following two-page spread. That’s some great comic book storytelling. It’s a pity Jimenez couldn’t have drawn the whole issue — not that Jurgens is bad, but side-by-side, there’s an obvious difference in skill and presentation.

I love how Supernova responds to a reporter’s accusation that he vaporized the crowd: “Don’t be absurd.” If you weren’t sure if this Superman or not, I think it’s a pretty safe bet that he’s not.

Has anyone ever touched on one of these Everymen and how this experience affected them? What was the fallout for Luthor?

In the scene between Natasha and Skyman, right after he tells her he loves her and they hug, we see a picture of the team behind them with Natasha next to Everyman — what a great mirroring of the fore-image (and is it foreshadowing???).

In the scene with the space travelers, it’s implied pretty heavily that Lobo isn’t helping the trio against Lady Styx, but is delivering them to her for the bounty, but I wonder if this is just a ruse that we’ll see play out next issue?

52! Week Thirty-Four

By Johns, Morrison, Rucka, Waid, Giffen, Bennett, Jose, Baron, Lanham, Richards, Schaefer, and Siglain. Cover by Jones and Sinclair.

52 was a weekly series published by DC Comics starting in May, 2006. Because I had my 52nd birthday in late 2020, I thought it might be interesting (fun?) to examine this series for its 15th anniversary. I plan to post once a week about each issue. To read previous posts, click the link (52!).

Synopsis

“Suicidal Tendencies”

Week 34, Day 1

The Suicide Squad watches for and then engages the Black Adam family.

Week 34, Day 3

The two groups fight, and Osiris pleads for Black Adam not to kill them, but when Persuader chops Isis’ face, Osiris is the one who murders the villain. The family leaves, and Amanda Waller tells her team that she got what she wanted.

Week 34, Day 4

The Infinity, Inc. women shop for clothes for an upcoming New Year’s Eve party and Barbara Gordon (Oracle) makes it so that chaperone Mercy Graves’ card is declined, separating her from the girls, specifically Natasha Irons. Disguised as security, John Henry Irons provides some facts about Luthor’s Everyman Project, challenging his niece to “draw your own conclusions”.

Week 34, Day 5

Clark Kent is injected with a truth serum and asked why Superman is masquerading as Supernova. Kent laughs and tells them truthfully, “he’s not Superman”.

Week 34, Day 7

Charlie is at St. Luke’s in Gotham City and Renee Montoya receives word from the doctor that the end is near. She sits with Charlie, who sings “Danny Boy” quietly, as she watches the New Year’s Eve countdown. Elsewhere, a Luthor employee tells Luthor that they have verified that Kent is telling the truth. An irritated Luthor goes up the roof, seeing his Everymen flying through the sky and glances down at the paper that confirms again that he is not compatible with the Everyman Treatment. He decides to make it so Supernova, who is “winning too many [Metropolitans] hearts”, fails “in the face of a real challenge”. As the city counts down to the new year, and Charlie dies, Luthor ominously presses a remote button.

Thoughts

I like this simple cover with the question mark on the toe-tag — it’s quite effective.

So we have another timing error (something that didn’t happen that often in this series, at least so far). For some reason, they tagged Day 1 and Day 3 in the same scene. I sincerely doubt the fight between the Black Adam family (I know they refer to them as the Black Marvel family, but I prefer my name) and the Suicide Squad lasted three days. I suspect that Day 1 was just supposed to be the Squad surveilling and then engaging on Day 3. Also, I found the “tickling” between Electrocutioner and Plastique gross. I’m sure that when I first read this issue that I minorly freaked out at the first (and final) appearance of the Persuader in the 21st century. I know the L.E.G.I.O.N. book was fond of directly connecting events and characters (if only as ancestors) to their 31st century counterparts, but did they really need to in this case?

I wonder if Geoff Johns was aping himself (I assume Johns is responsible for this part of 52) when he had Osiris body slam Persuader into bloody bits? Orisis’ anguish at being the one who murders as his step-father has done before, while he implored Adam not to earlier, was affecting, as was the the panels showing Isis comforting him in shadow and rain. Finally, has anyone noticed that Sobek is getting bigger and more menacing looking? Or is it just how the individual artists are portraying the character? He’s also speaking much more confidently — I wonder what this means…?

I have long complained about the Irons family drama in these issues, but what is it about what John says to Natasha that elicits her worried reaction? Is it just the way he delivers his message (which should have happened a long time ago)? Ugh!

I love that part of Metropolis’ New Year’s Eve celebration is dropping a Superman shield instead of a traditional Times Square-like ball (or an “L”, if Luthor got his way). I also liked the overlapping images of all the flying characters (Superman analogs), the countdown, Charlie dying, and Luthor’s pressing the button, presumably (and if memory serves) to negate the powers of everyone outside. Though, just on the surface, the villain pressing a button is hardly a dramatic close to an issue. This part of the ending really overshadowed the death of the Question, though I enjoyed the way they portray the passing of the mantle with Charlie singing “Danny Boy”: “It’s you, It’s you must go and I must bide”.

The Origin of Zatanna

By Waid, Bolland, Lanham, Richards, Schaefer, and Siglain

My first exposure to Zatanna was from a JLA cover (#161) where she wore the more traditional superhero costume — skintight outfit with a cape — and that very tight and long ponytail. I would only see her in what is considered her traditional outfit later, as shown in this issue. And then I found out that she wore what her father wore and I thought that was kind of dumb. Well, now I’m the dummy because I love this look now, especially how Brian Bolland draws the character.

Here it is mentioned that Zatanna’s magic is genetically inherited — I wonder if this aspect was ever explored because the idea of magic and science melded in this way is fascinating to me.

This origin references her (retconned) involvement in Identity Crisis where she mind-wipes the League’s enemies (one of the lowest points in their history), which tarnishes her for a while.