52 was a weekly series published by DC Comics starting in May, 2006. Because I had my 52nd birthday in late 2020, I thought it might be interesting (fun?) to examine this series 15 years later. I plan to post once a week about each issue. To read previous posts, click the link (52!).
“Dream of America”
Week 9, Day 1: In Metropolis, Lex Luthor and guests gather for a 4th of July celebration where he talks again about his dream “where every man becomes a super man”. Steel crashes the party demanding to know where his niece is. Steel threatens Lex, and Natasha arrives, along with some new friends. In short order, Natasha assaults her Uncle, possessing strength and resilience thanks to Lex’s genetic manipulation. The fight between the family members ends with her punching Steel over buildings into the harbor.
Animal Man awakens on that alien world, a captive to Devilance, the Pursuer. The giant explains that he has captured Buddy, Adam Strange, and Starfire because
You saw beyond the veil, beyond the two score and twelve walls of heaven. That knowledge belongs to the gods alone!
Starfire awakens too, and she and Buddy devise a hasty escape plan, helped by a distraction from Adam. They leave with Devilance’s power staff. Unseen by them, Devilance watches them….
Week 9, Night 1: The 4th of July celebration continues that evening in Gotham City. Vic, or Charlie to his friends, visits Renee Montoya, revealing to her that he is the Question. Outside, Vic tells Renee that Gotham is being targeted by Intergang while a red-haired woman in a bat costume listens from a nearby rooftop.
Ugh, the Irons’ family melodrama continues. I know this is comics and soap opera-esque events occur, but Steel threatening to kill Lex so publicly and Natasha hitting her uncle so hard that he spits out blood is just so over the top, even if it does heighten the tension between them. Regardless, because it involves Lex Luthor, you can’t help but think that along with the genetic alterations that perhaps he is also controlling his experiments in some way (both Luthor and Steel implied it in different issues). Besides the same argument John and Natasha continue to have, about the only new plot point here is that Natasha — whom we last saw hooked up to Luthor’s machine looking frightened and vulnerable — is now part of a group of superpowered people wearing purple and green suits. However, I did like the two-page spread of images on pages 6 and 7 showing Natasha punching John out a window and as he fell several floors to the street below. Also, we see fireworks going off in the background, and one of them explode in a shape similar to the light effect around Natasha’s fists — nice touch there.
I have discovered that Devilance, the Pursuer, is indeed a Jack Kirby character first (and last?) seen in Forever People #11 and is one of Darkseid’s minions. Given the connection to Darkseid and his to Intergang, that overall plot is becoming more interesting. I have to wonder if there is any significance to the “walls of heaven” Devilance mentions — is it a reference to Revelation 21:12, or is it just one of those phrases that give Devilance’s words more importance than is actually there, beyond 52 (2 score and 12 = 52)? One quibble with this scene: Animal Man mentions that Devilance had them captured for days and he is shown bound and dangling upside down. How did they relieve themselves in that position? Or did Devilance allow them potty breaks and them truss them back up? And why dangle Animal Man and Starfire in this manner and not Adam Strange? Ahh, but who am I to question the whims of (demi)gods? I like the half-page panel setting this scene: Devilance is squatting over a device that appears to be a cage he will presumably place his captives, along with some other machinery, but it’s his size that is of note (apparently he grew since his appearance in Forever People) and the Kirby costume with all the glory that is short sleeves and shorts! But why change the white part of his costume to purple in an issue where there’s already a lot of “bad guy” purple?
The number 52 makes another appearance in the ballgame score (5 and 2), but I think the collaborators missed an opportunity to place the game in the ninth inning (this being the ninth issue) instead of the seventh (unless there’s a significance to the number 7 that I’m not seeing…). Also making its first(?) appearance is Molly’s Bar, which will be featured in Detective Comics #859 a few years later and plays a role in Kate Kane’s story — I like to think the writer or artist remembered this scene and included the bar in the Detective Comics issue. Speaking of Kate Kane, here we see Batwoman in her , even though some sources indicate that issue 11 is her first. I imagine that #11 features Batwoman in a speaking/action role and this “cameo” is not significant enough to be considered her first appearance. This is where I shrug and say, “Ehh. Comics.”
History of the DCU, part 8
by Jurgens, Lanning, Napolitano, Cox, Major, Berganza, Cohen, and Schaefer
This part covers what I consider one of, if not THE, lowest points in DC Comics history: Identity Crisis. While the story was not wholly a bad one, the “event”, much like is stated in this History, crossed a line that was perhaps unnecessary and tarnished more than a few characters if you also include what happened in Infinite Crisis (which is mentioned at the end). It seems my assessment of Identity Crisis was shared by others, something I was not aware of at the time of publication. Fortunately, things would improve, as they always do.