52 was a weekly series published by DC Comics starting in May, 2006. Because I had my 52nd birthday in late 2020, I thought it might be interesting (fun?) to examine this series for its 15th anniversary. I plan to post once a week about each issue. To read previous posts, click the link (52!).
Week 16, Day 1
Some Kahndaq children make a garden as a present to Isis, and Black Adam takes the opportunity to ask Isis to be his wife.
Week 16, Day 6
Renee and Charlie are hiding out in a shipping container, and Renee realizes that Intergang are going to “hit the wedding”.
Meanwhile, while Isis is getting dressed for her wedding, Mary Marvel expresses her concern over Black Adam. Mary tells Isis that while Captain Marvel thinks that Black Adam has changed and Isis helping with that transformation, “He seems like the same old Black Adam to me.”
While Black Adam fusses over his hairline and the bloodstain on his cape, Captain Marvel tells Adam, “I’ve never seen you nervous.” He also expresses surprise that Adam wanted the Marvel Family at Adam’s wedding. Adam tells Marvel, “My family … are long dead. I thought … you have made your family Marvel family … perhaps it’s not too late to make mine.”
Renee and the Question look into the gathered wedding throng for a suicide bomber while Captain Marvel Jr. works at crowd control. The ceremony begins and Renee finally spots the bomber, a young girl. The Question tells Renee to “take the shot!”, but Renee hesitates because she can’t “shoot a kid”. However, she does before the girl can set off the bomb. That evening, Isis and Adam start their lives together as husband and wife while a couple Kahndaqians clean up the dead girl’s blood.
Week 16, Day 7
Adam Strange, Starfire, and Animal Man finally escape the alien planet, heading home.
The title, I believe, is Arabic for “I love you” (though spelled differently than I found). The art in this issue is particularly good, starting with the cover. There is a poster of Black Adam and Isis behind Renee and the Question. The colors are deftly displayed, with bright sunlight bathing the poster but darker shades over the foreground characters. This is a perfect encapsulation of the issue: the beauty of the wedding and the tragedy of the bomber.
The collaborators working on this issue did a fantastic job depicting the dichotomy of the fantastic vs the tragedy. At the wedding, one page shows the sun peaking just above the palace with the crowd below — among the many celebrants is the lone bomber. After the ceremony is over, there is a panel of the dead girl’s blood reflecting the happy couple floating above. Later still, when Isis and Adam head into their nuptial chamber, two men clean the blood from the street. Perhaps worst of all is that the superpowered beings are completely oblivious to the calamity that literally happened under their noses, not unlike gods unconcerned with the mere mortals that celebrate them (a portent perhaps?).
Of particular note regarding the artistry is the near-splash page showing Isis in her wedding garb standing next to Mary Marvel. She is beautiful and the angle showing this scene only accentuates Isis’ majesty (and height!). I already mentioned the other near-splash page outside the palace, and later, there’s a two-page spread showing the ceremony from above the participants, high above the crowd, that is lovely as well, though undercut by the panels atop the spread involving the bomber and Renee — this sequence and placement only heightens the tension of the scene. This is probably my favorite issue so far from a comic book storytelling/construction standpoint.
From a character perspective, the focus on Black Adam’s emerging happiness in his relationship and his comments to Captain Marvel and later Isis about his previous family and the tragedy he’s endured for centuries will only make his inevitable descent all the more regrettable. I have a softspot for redemption stories and having first read Black Adam’s involvement in JSA, followed by this, I was really into his journey. But corporate comic books being what they are, the demands of the status quo must be adhered to, and Adam’s story can only end badly — more’s the pity.
The Origin of Black Adam
by Waid, Jones, Sinclair, Napolitano, Wacker, Richards
It occurs to me reading this synopsis that Black Adam and Sinestro both started as “heroes” but took their respective missions to extremes. However, possessing such power and not dealing with injustices head on as they do runs contrary to our very human (and flawed) desire to make things “right”. (And is probably the main reason I like characters like Black Adam, at least this incarnation of him.) I would like to read more stories with characters like this and how they deal with the awesome responsibility that comes with such power.